. >> and about a week later, ryan coogler, our writer-director, came to me with the project. i was like, okay. perfect. perfect time for me to really express myself through my work. and -- and -- it's a story that needed to be told. >> jay: yeah, it's a great story because you always hear someone is shot. and then, you go to court. but this movie tells the story of this young man's life. and he was not a saint. >> not at all. >> jay: he's was in trouble. >> you know, when there's an officer-involved shooting, usually the victim's character gets polarized. you know, he becomes this perfect person, this saint. or he gets depicted as this monster or this thug. and ryan coogler's approach was to spend the day in the life of. the last 24 hours of his life. we wanted the to show this guy, flaws and all. that his life mattered to people who really cared about him. >> jay: yeah. you know, it's like good people sometimes do bad things. and bad people sometimes do good things. and so you really feel that. i always wondered if, particularly with the trayvon martin thing, if the jury had