taught me to walk, wear a dress, hold back. and from ryazanov you generally have what, it was good tolisa frendlikh, nikita mikhalkov, proskurin, well, by the way, you see, to a lesser extent, because he was not that old , as it seemed to me, lyudmila gurchenko, who starred in this film, because it was based on ostrovsky, then her line was cut out, yes, by the way, i saw a fragment from your podcast, where you talk about what advice she gave you about the eyebrows, about surnames of everything else, right? this is very interesting psychologically, i’ve never talked about this, i was just on that podcast, i mentioned it for the first time in my life, well , the film came out and words fell on you, that is, you’ve already gone through fire and water. yuri bogatyrev, and one great artist told me, why do you need costumes again, no need, why would you repeat yourself, filming at that time should have been in venice and bulgaria, beautiful, very, but again skudaumi, and multiplied by authority a very adult artist whom i respected very much, and i went to film a sports film, i still think t

taught me to walk, wear a dress, hold my back, and from ryazanov you generally have what, it was goodrow, after the program, we’ll take her back. mulya, don't make me nervous it's going to be hot, what? where, when the summer series of games, on sunday on the first, well , the film came out, glory fell upon you, that is , you have already gone through fire and water, apparently, these were copper troves there was no, because criticism, no, criticism destroyed me, well , never mind this criticism, i remember, i watched this film as a young man, it was just some kind of happiness, it was all a little, this is when i’ve already grown a little. yes, it was hard then, but you overcame me, i didn’t overpower it very much, of course, i remember nikita mikhalkov once cut me off told him in the film: don’t drink, look, he says, you were in sevastopol filming yesterday, and alexei petrenko saw you, said that you were drunk, look, he says, you were somewhere in sevastopol and drank there, yes, and i he says, i already know about this in moscow today, you say, you don’t even understand what a rum

worked in leningrad at the comedy theater and staged a play based on the script by brodinsky and ryazanovov, a wonderful director, but i was always very thin, small and looked much younger than my age, and vadim sergeevich the director says: olga, i would give you a damn, but... how can you be so fragile and lead such a powerful team, well , in my opinion, i would be happy to, but in my opinion, you, well, in general, come to the reading, i took my mother ’s suit, which was much too big for me, i put on my hair, put on glasses, washed off my makeup, came, sat down, they handed out the text to everyone, golikov said, where is volkova, i think he’s pinning me, why don’t you take it off? he says: i don’t have it, but you look, suddenly the phone rings right away, i find myself in an appeal for two, this is your small role as waitress violetta, she’s standing many leading roles, but how was it born, how did you make it? well, first of all i went to look for the former tsarsko-selo station, then vitebsk, there was a restaurant there. in the evening, and during the day there are canteens, i arr

taught me... to walk, wear a dress, hold up your back, and what about ryazanov you have in general, way, vite to a lesser extent, because he was not as old as i thought, lyudmila gurchenko, who starred in this film, because it was based on ostrovsky, then her line was cut out, yes, by the way, i saw fragments from your podcast where you tell how she is gave you advice about there. these are non-road signs, these are 52 steps to happiness, every week we take just one step towards a correct, healthy lifestyle, which we will tell you in our program, and as always , all the details about food, about medicine, about home and about life in the program live look, he says, you were in sevastopol yesterday on the set, and alexey petrenko saw you, he said that you were drunk, look, he says, you were somewhere in sevastopol and drank there, yes, and i say, already today in moscow about this i know you say, you don’t even... understand what a rumor among the artists, they will stop filming, he says, control yourself, these are some human lessons, this is what i remember, and then i was then con

able to create a corridor to hold it for at least a day, then everyone will be saved, the team of ryazanov there was a vacuum behind them, the former territory of our zone, we must break through the ring to be on the left bank of the dvina, we will break through between popern and the new village. i talked to one, to another, to a third, and now it was no longer a column of prisoners walking, but a floor. today i am going into battle with these people. and i believe in victory, eagles, we’ll pass the cranes, we’ll have to leave the horses, the targets are too noticeable, that’s it, leave them, they don’t discuss orders. alexey, yes, in 30 minutes you start with gorbanov’s breakthrough, i understand that sukhamlin will hold the corridor, okay, try to stay alive. mothers, fathers, sisters, we are going for a breakthrough, without panic, in an organized manner, on command, you will go forward, there is a breakthrough, let’s go, lie down, don’t lag behind me. “it’s scary, but is it really scary, i ’m like, how many of you boys have fought, you can’t count the bruises, why did you fight, they t

in this musical comedy by ildar ryazanov, the trio of shmilev sisters sings, and the duo of gusakov brothers opera 600. maria khmelik wrote the script for several famous films, including little faith, and maria's father alexander was one of the creators of this film magazine. yarolash, that's right, yuri. opera 400. in the usa, this opera was first staged in 1937 under the title prince bumblebee. but this is a tale about tsar saltania. that's right, konstantin. ah, an opera for 200. the first opera in this language, arshak the second, was created in 1868 by composer tigran chukhadzhan. in armenian. right. twins tanya and olya yukin played radnya in your movie for 200 the main roles in this film, with olya playing her mother-in-law. kingdom of covered mirrors. you are right, this was the last question of the second round, i am summing it up. 800 for konstantin, 800 for yuri, 11:400 for dmitry. the third round is ahead. pebble in the chest, hands, anime music, rocking belarusian legends, you are stars, you are legends, vio superstar, this will be a hot battle, premiere, tomorrow at 20:20 on n.

dreamed of going, in these unsophisticated interiors today one could meet vysotsky and smoktunovsky ryazanovsky, who received unprecedented nourishment here. for the then moscow tartlets with chicken pate, sandwiches with stellate sturgeon and dumplings according to the recipe of director gerasimov. at these tables, premieres were celebrated, scripts were born and movie stars were approved for the leading role. but besides that, they could just, to put it mildly, punch you in the face. and why? the stars are to each other, because one star did not pose against his background from bertolucie and mastroiania to belmando and lalabrigida. today they are working in the cinema house. seminars, film anniversaries and premieres of young filmmakers are still held here. exactly at this hall hosted our two main premieres, the film check of labor and the painting. report from the church of the holy sepulcher in jerusalem , sergei pashkov witnessed the miracle of the descent of the holy fire. to end the war in ukraine, we must stop supplying it with weapons. in europe they know about this and are calling

fantastic. wonder in these unwise for today in the interiors one could meet vysotsky’s smaktunovsky ryazanov were fed tartlets with chicken pate, sandwiches with sevruga dumplings according to the recipe of director gerasimov, unprecedented for moscow at that time. at these tables, premieres were celebrated, scripts were born and movie stars were approved for the leading role. but besides that, they could just put it mildly in the face. and why? stars to each other, because one star said: “i’m a genius, and the other star said, no, you, the next star, of course well, she hit me first." and, of course, all of moscow was eager to go to the cinema house for screenings of the moscow film festival. there might not have been another chance to see foreign films on the big screen in fillini and bertolucci, andrzej wajda and fastbinder. this panel, known to the entire film world , gave to her friend, minister of culture ekaterina furtseva, widow of the famous french artist fernanand léger, nadezhda khatoseevich. and whoever posed against his background, from bertoluchie and mastroiania to belmando an