safin zillah emitter once hosted meetings of left wing revolutionaries later it was used by the nazis then it was a feeler workshop with its dilapidated charm and checkered history it was the perfect setting for such of arts as breakthrough production. an offbeat provocative production part of a trilogy on the absurdities of domestic life the company research for months in communist era housing complexes. initially zuch of arts danced along with her ensemble but she was always striving for new forms of expression and cooperation with other artists for her dance alone was never enough. help ask mine that i know. $107.00 i began downs lessons with one teacher i started taking classes from the age of 5 and the teacher i was with the age of 12 had studied under mary whitman so i have a very very deep connection to german expressionist dance kind i just got up but it didn't really influence my decision to start dancing professionally because at the time i wanted to pursue a career in the visual arts. that's it was only 3 my discovery of post modern dance and contact improvise ation and all

we any opened our venue in the safin sailor 3 years later in 1906 the year before that we were like nomads wandering from one industrial space to the next and each time we started up a nice change here as there is in fact life and fun from the outset we turned internationally we toured the us and our 2nd offered year we traveled to india and toured a lot in europe peeling off. so right from the start travelling was part of our identity it was our aspiration and our concept of those. scenes of of all those selfish then missiles at us that we wanted to build bridges with our art and take it to different audiences to countries and cultures that also inspire our work. for the year off in so in that respect our life today isn't all that different than it was 25 years ago or. it's only one gets. us off. was it's our. sufyan zillah emitter once hosted meetings of left wing revolutionaries later it was used by the nazis then it was a fear workshop with its dilapidated charm and checkered history it was the perfect setting for such of arts as breakthrough production. and offbeat. market of producti

safin guns and- while boris johnson has reiterated the uk's. ready to lead the blocks with or without a dealer's hand. we acted positively to news harrison berlin are ready to be more flexible than before. early on this one i spoke with tom professor of law and government dean of don law school i asked him if brits of any recent optimism after johnson's jones to build in a paris. i think of boris johnson w went into these meetings so basically trying to i think point the finger. at the new for in trying to blame the e. u. for i know deal that outcome. the you know he was he wawas asking for. paris and berlin to be more flexible to be open minded to not be. to work with pretend and to try to work with britain. in trying to resolve a way out of this crisis and i think he was. going into these things f franky experts we get a cold shoulder. and then surprisingly i think was was snookered on the first. on his first visit to being told by anglo merkel sure you know you've got to you know who will be open minded about. how you might be able to solve