but there is such a boy from the slark of these sagalai.nd i was hired by the youth editorial office in the new era, sagalaev headed the youth editorial office central television. it was the most talented, noisiest, most restless editorial office and uh, it gave impetus to the uh period of glasnost perestroika on television, and then i hosted the program on the twelfth floor. so it was called, because on the twelfth floor there was a dock in samara. here headlines collected people of different generations. well, let's somehow think about organizing our discussion so as not to infringe on the interests of the public, which expects constructive concrete answers from us. he was a dear favorite teacher for a whole generation russian television journalists, whom his own brought. today he knows these names, everything is strange, it was the epoch when journalists and sagalai came into the frame, in general, he became the founder of a new television news language. well, what can i say, my teacher left my teacher eduard mikhailovich, firstly, he wi

friends and colleagues gathered at the troekurovsky cemetery to many of the current masters of the sagalai. he gave a ticket to the profession 40 years ago, carried away with his energy, courage and the spirit of a reformer. he made it possible to speak from the screen about what was discussed in the soviet union. unless he just gave the floor to the new generation of young people in the kitchens, look, the twelfth floor, other projects on the syllables of the epoch have become for millions a breath of fresh air. i agree, he admitted that, working live, he feels literally every viewer. he is a human. whom all the affairs he gave out, no one believed the youth edition. this was all done, no one believed that for independent television, no one, the union of journalists of the soviet union would head the most difficult time, by the way, when our professions could be turned at all. what exactly he did all this, this is a man, as you know so doomed success. but for he needed a lot of strength for this in those days when he commanded on television. amazing changes began for the first time, not a

it was the era when the sagalay journalists came to the frame, in general, became the founder of a newision news language. well, what can i say, my teacher left my teacher eduard mikhailovich , firstly, he widely used live broadcast as a leader and so on. it was incendiary. and here is the live broadcast but brought warmth and the search for meanings. and the meaning, of course, was needed, because then there were no points of support for people. it seemed that everything was floating under eduard mikhailovich. the first final analytical program of 7 days appeared on russian television, which he introduced together with alexander tikhomirov. good evening, the hour has come for a review of political events for the week, sokolaev's main gift was to find talents and give way to such people. i loved people. and gave them a chance to express themselves. i even jokingly said that if well i ever uh retire and i won't have enough money to live on. i will sit down in the ostankino underground passage and hang myself. she says the sign create opportunities. so once the history of the program beg

president of the national association of broadcasters of condolences to the family and friends of eduard sagalai. produced by vladimir putin our correspondent kirill brainin ametria. good evening. we are opening a new tv show, 7 days sunday edition of the program time is alchemy this is an absolutely incredible feeling when, for example , when i went on air, i just felt how i flow along these wires, then i get to the ostankino tower, then i get on the satellite and from the satellite i get into every house. you see, a part of me, i felt it, i felt every viewer. here is probably the answer to the question. why did he succeed, it is absolutely incredible on for soviet television, what now seems to be an absolutely obvious number of channels, requiring a combination of buttons on the remote control, is the familiar present that eduard tsigalaev created in those days when he would have paid four if remote-controlled televisions were then in use. you hear us, we are interested, find out. i understand nothing, what do you understand, and what are your first appearances in the frame? even for the publi