tornado funnel and in russia, spring is near a musical premiere at the vakhtangov theater whether salieri's phenomenon in death mozart's production of amadeus gives the viewer its answer, the russian military was destroyed. the zenith tormer missile system is a system that is supplied to the uk by ukraine , there are only a few of them, and our fighters published one less footage from the ministry of defense. they spotted the cars with the help of a drone over the donetsk direction. after that, they decided to use blocking ammunition, such as a lancet, and now the exact hit. this was confirmed by all control systems. such shells are effectively used to eliminate military equipment of nationalists. assault on the stronghold the enemy is a hard onslaught of volleys from a machine gun, and since grenade launchers in the lpr, fighters work out the tactics of fighting everything that can be useful in a real battle, experienced instructors teach intensive training. from morning to evening, to capture a foothold to prevent the enemy from advancing to evacuate the wounded oleg shishkin on the scien

well, yes, genius gets rubbish, and salieri cannot believe that he is deceived with the lord god, itossible to agree. this is our version, because, well, god just has everything. we always, like my hero, deceive ourselves with some illusory ideas and miss the life that is given to us , realizing that god gave genius to another salier, begins to take revenge, to avenge god , destroying the one to whom god gave his love, that he envied the salier. he doesn't talk about it knew, he could not understand why no one appreciates him, and salieri e, understanding brilliant emotions, they could not come to terms with him with his scale of personality, the performance turned out to be subtle, piercing and not devoid of a sense of humor. it simply cannot leave the audience indifferent, and there are a lot of emotions , a very unusual presentation, and a wonderful game of actors, especially guskov asked me for a wonderful result, it really touches the heart of the actors great performers to hear the eternal classics and appreciate the interesting work of the director and no doubt brilliant actin

the legend of the poisoning of mozart by salieri is not actually confirmed, so you need not be angry.poisoned. which one of you lied? you or pushkin is just pushkin fantasized, regardless of the real facts. okay, thanks, volodya. thanks for the tea, i 'm off. of the four, vovka worries me the most. why does he bother you? say say. here i am five nine-storey buildings, i serve , respectively, i receive as 2.5 engineers. and at what corner they saw that he was required by a theorist, then the brothers would not shoot dozens for them, i calmly you will be my practitioners. i 'll make a plumber out of these as selerates. well, i went goodbye antonina sergeevna goodbye. it's a dream. i dream of saying nothing but the horse i do not see. don't know. i'm here to talk to you. i want vovka heart to heart, you know? about what? in that he himself does not know that we live under the same roof, sort of like across the street. how are you about metallic hydrogen? badly we have no house of government. and we do not live chirizulis. in what sense does he ignore physical education lessons? i already

e.u., the requiem is what is composing when he dies, when you're character, salieri, essentially killsame. where do you keep the oscar? ph:re d yeep: i really miss my o yo eo many goodies, he has appeared in every play i've ever done. >> stephen: oscar has? >> f. murray: here in new york, on broadway, off-broadway, in europe, in concerts. i give him to the stage manager and i say listen, hide him on the stage. not so where the audience can't see him but where the cast can discover him. just for fun. >> stephen: that is a hell of a fle oh, i'm sorry. did i put my oscar in your scene? i didn't realize he was there. i didn'twant them to be there. >> f. murray: he has been in trash cans, drawers, suitcases. people get into bed and they go, whoa. >> stephen: is that an oscar are you just happy to see me? but you're on stage. well, this is a broadway stage. where is oscar? is oscar here? >> f. murray: are you saying -- >> stephen: i am asking you if oscar is here tonight. >> f. murray: i don't know. >> stephen: mark, that is my stage manager. is it somewhere out here? >> f. murray: he says i

the legend of the poisoning of mozart by salieri is not actually confirmed, so you need not be angry.from lied to you? you or pushkin is just pushkin fantasized, regardless of the real facts. okay, thanks, volodya. thanks for the tea, i 'm off. of the four, vovka worries me the most. why does he bother you? say say. here i am five nine-storey buildings, i serve , respectively, i receive as 2.5 engineers. and at what corner saw required. erase well , he will become a theoretician, then the brothers will not shoot dozens for them. i'm calm , you will practice with me. i 'll make a plumber out of these as silerates. okay, i went goodbye antonina sergeevna this is a dream. you say why i see nothing but a horse. don't know. deeds it's all to talk to you. i want vovka heart to heart, you know? about what? that i don't know what. we live under the same roof, sort of. what about metallic hydrogen? bad at home. you know the origins of the belarusian culture of architecture that at one time the place was the child of the city . morning, where clothes and weaving items were stored red corner bed

salieri hiding behind cup back. and above him is a poisoned monster.om small birds the size of angels to a buxom baroque female figure. in the middle porcelain is usually used in applied small forms by the author and nalevskaya in his composition. she went the other way, first of all, unconditionally, it consists of a form. well , from metal, including all these metal frame structures, they also act as an additional art object of the whole single whole thanks to what? here we are, we see, here this huge large monumental monument is its greatest feature. inna alevskaya worked for more than 50 years as an artist at the lomonosov porcelain factory back in those days when the word installation was unknown to the general public. she said that the viewer creates architectural and spatial compositions in them, as if immersed in the artistic environment, the semantic center of genius and villainy, the lying muse, made in the best traditions of the petersburg barovka, alevskaya, created this figure at home on her desktop, as the work progressed, the figure incr

antonio salieri wants to negotiate with god in exchange for chastity and a righteous life. well, everything is just pathetic. we always, like my hero, deceive ourselves with some ghostly ideas and miss the life that we are given the performance turned out to be subtle, piercing and not devoid of a sense of humor. it just can't leave viewers indifferent alexandra bystritskaya ilya novikov and georgy stadnik lead. you can find out more about the performance by its creators and the actors involved in the production in the daily editions of the news? all news is always available on the media platform, see the application on the site smotrim.ru see you soon. no we are unique every day with friends. here you are as a capsule. on neo hello, because the unusual ordinary what kind of eyes? turn on marusya. decorate with capsules inside for everyone their own vk meeting place for the premiere on the russia channel good morning. welcomes you today anastasia chernobrovina andrey petrov we start a new day together, we open something all the time different questions strange questions. to