(thomas doherty) i think what sam fuller wants to do in his films is tell, as much as a filmmaker canxplosion) (thomas doherty) he wants to capture the gestures, the vernacular. the small moments the combat grunt experiences, and he wants to do it in a very tight close-up. he wants things to happen unexpectedly. he also wants to remove sentimentality from the platoon. when we were in czechoslovakia, they gave us an assignment, not knowing this was the last assignment of the war, the very last. and they said that there's a camp there, (crashing sounds as doors open) (sam fuller) and they didn't say, "kill everybody." they wouldn't have to. they said, in effect, "take it." this was a concentration camp. we found out it's a concentration camp. we opened doors. we saw what it was. we saw another door, a stone house and several naked bodies were thrown in the bogs. captain richmond said, "have you got the camera your mother sent you?" and i said, "yes, sir." "get it!" didn't explain anything. (sam fuller) now, you take a picture. the town's name is falkanow. (grating sound of old movie pro