frankly when sam zell came along we thought maybe he has the answer.ed. we can figure out. he comes along in says you cannot cut your way out of gro this you have to growglin revenue we're all struggling to do this but in the end, the deficit was so narrow if we miss projections by 2%, that yousaf would not get any kind of funding gore benefits for five years. it is that close so finally went to bankruptcy in right now these papers are far better off in bankruptcy gore them when they get out because when awn they get out they will be owned by thethey banks and they don't want to be in the bankruptcy -- newspaper business but theycu want their money back and will cut. it is a grim situation. >> is there any jack daniel's around here? i was going to meet my wife later but send it up. [laughter] sam zell can be a convenient foil dividend the larger personality but to what by extent should there be a fair amount of responsibility shared by the previous tribune company board of directors? including the bastions of the chicago community you undoubtedly thought they were a folding

. >> the deal from hell by james o'shea is a story about "the chicago tribune" and sam zell and what has happened to media businesses from an insider. jim o'shea was a longtime reporter at "the chicago tribune." he became the managing editor at the l.a. times, so he's had both the ground work as a reporter and the management experience of being, you know, not quite the other side, but, you know, in the decision making meetings. and it is the full, unvarnished story of what's happened to media businesses in america by focusing on the story of the tribune company. page 1 is a book in our series of books that we have done in the conjunction with participant media. we've done books and films like foodinc. and waiting for superman, and this is their new film. it's called "page one: inside "the new york times." " and we had an npr media reporter that has a collection of essays by many different contributors writing about media, again, taking this subject beyond the, um, the film's limitations. a film can tell you in a very visceral way the story, but it can only tell you so much. these ess