the party committee, hell arganization of the battalion, so i took all these documents from yago samoryadovent yago to my mother in the kalinensky region, my mother wrote to me: son, i won’t return my son, come and stay with me. i was sent to observe the enemy's extreme edge. and in march i spent two weeks watching enemy snipers. so he killed one of them. and i assigned the bench press. due to enemy intervention, the assault detachment captured a group of houses without losses, which were of great importance for ensuring the overall success of the assault on the city. in this battle, junior sergeant lyutsko killed four enemy soldiers. for his heroism and dedication, junior sergeant lyudsko is worthy of being awarded the order of glory, third class. commander of the fifty-sixth separate assault engineer battalion, major michal, december 27, 1944. and the soldiers, they were soldiers and helped to fight, protected our soldiers, so we treated very well, the battle ended, silence came to the city, the liberated capital of austria appeared in all its beauty, thanks to the rapid advance of the re

theater, director ekaterina granitova , script by the absolutely brilliant screenwriters lutsik and samoryadovs, we played there live as a band, the actors sang there, and there i managed to expand my musical horizons in terms of literature, because where -we had some kind of free jazz there, somewhere some kind of ambient, it had to be filled in, there had to be gloom, snow-covered steppe, tundra, and we had some kind of... these things were hung up, somewhere there were choirs, somewhere there were stylizations of songs, there we had such a big, big number, we sometimes sing it at concerts when there are enough backing vocalists, because there are a lot of voices, whitefish, ah belitsa, quince river i went to save it. i didn’t see her, then it seemed like 15 verses were skipped, as usual in a song, you know, they’re endless, and there’s some kind of sad ending about what it means she didn’t love him and he went away somewhere. listen, i’m driving far away, this is a song, and it’s just a song that was specially composed for this performance, and for a long time we were looking for the main l

directed by ekaterina granitova, scripted by the absolutely brilliant screenwriters lutsik and samoryadovere choirs, somewhere there were stylizations. to the cossack song, we had such a big, big number there, we sometimes sing at concerts when there are enough backing vocalists, because there are a lot of voices, belarybitsa, oh bela rybitsa, oh she walked in the river, and save her, yaeeya. but it didn’t seem to be, then it was as if 15 verses are skipped, as usual in songs, you know, they are endless, and there is some kind of sad ending about what it means she didn’t love him, and he went somewhere, listen, but i’m going far, this is the song, just this is a song that was specially composed for this performance, and for a long time we were looking for the main lyrical theme with ekaterina gennadievna, with the director of the play, it didn’t work out for a long time, at some point we got this tune. easy, easy, and there it is, if you look, it seems so simple, in fact, the size is constantly changing musical, all the musicians, when they come, they see the notes and such, and what a ho