dinaesh mukhametova, denis samusenko, vesti: penza.on the stage of the alexandrinsky theatre "ballet crime-punishment". according to the director boris. passage behind the backs of the audience, the choreographer watches the crime with everyone, modestly standing in punishment, already the fourth work of boris eifman with the legacy of dostoevsky. for many years i have been turning to this novel, trying, approaching, leaving, approaching, removed, because every time i tried to imagine this novel on the ballet stage, i understood that it was the most non-ballet. the last judgment, carried out by conscience. boris eifman admits to staging the most non-ballet novel by dostoevsky, he went on his entire creative life. the ballet is worthy of the best theater stage in the country, eifman's jewelry work with dostoevsky's texts, this creative union, probably, is the same incredible alloy that works to create the purest theatrical gold. dmitry pishchukhin, alexey sasyrin, dmitry lukashevich and galina orlova, vesti sankt. the goneshi festival i