three days over christmas at sandringham. it's a ghost story, a psychological thriller. the absolute antithesis of that terrible film diana which came out some years ago and was just awful. this is brilliant, and if kristen stewart does not get award nominations and ifjohnny greenwood does not, there is no justice. in terms of streaming, what are you going to recommend? bruised is on netflix. it is directed by halle berry, who stars, and it's the story of a mixed martial arts fighter who left the ring some time ago, now is suddenly reunited with her child and discovers she has to get back into the ring. now, it's quite well directed. it's certainly got very, very gritty, punchy fight scenes. if there's a problem with it, and there is, it ticks every sport cliche in the book. but that said, there are things it does that are interesting. it's clearly very committed. during the fight scenes, there's an awful lot of rocky, and that's not necessarily a bad thing. it is not the most original film, given girlfight and more recently fighting with my family, but i thought it was

it plays out over three days, three christmas days at sandringham — so christmas eve, christmas day,gh it. and the film is very much seen internally from her point of view. it's about her own troubled state of mind within a situation which robs her of agency, robs her of independence, robs her of identity. there are endless scenes of feasts in which she is being stared at by the royal family. obviously, it addresses things like eating disorders, but does so in a way that absolutely makes you understand the interior psychology of what's happening. it has ghost story inflections. there are moments of it that reminded me of the others. we have a vision of anne boleyn, who walks through the corridors, and yet somehow, it isn't ridiculous. it has the most brilliant score byjonny greenwood, and thejonny greenwood score is so clever because it sounds like a baroque string quartet slowly mutating into free—form mad jazz as a way of describing the interior life of its central character. i thought this was really great, and believe me, i went in sceptical, but i was knocked out. i love kristen

it plays out in three christmas days in sandringham. she just has to get through it. very much seen internally from her point of view. it's about her own troubled state of mind within a situation, which robs her of independence, robs her of identity. there are endless scenes of feasts, in which she is being stared at by the royalfamily. it addresses things like eating disorders but does so in a way that absolutely makes you understand the interior psychology of what is happening. it has ghost story inflections. it reminds me of the others. it sounds like a broken string quartet slowly mutating into free—form mad jazz as a way of describing the interior life of its central character. i thought this was really great, and believe me, i went in sceptical. i love kristin stewart anyway stop i think she's great and i've loved her ever since the days of the twilight movies. i like to way back then but if there is anyjustice, she should get awards for this because it is really well done.— get awards for this because it is really well done. wow, fascinating. you've really _ re

fictionalised portrait of diana, princess of wales, when she spent christmas with the royal family at sandringham unsympathetic royal household. it is an image of a british icon that has been shaped very much by outsiders. the filmmaker is the chilean pablo larrain and the woman who plays diana is the american actress kristen stewart. emma jones reports. bringing a story about the so—called people's princess to london where diana, princess of wales, lived for many years was a big moment for the cast and crew of spencer. it stars an american, kristen stewart, is directed by chilean filmmaker pablo larrain and was partly made in germany. but there is a supporting cast of british actors, and stewart feels the film belongs to britain. do you feel this is a british film as well? absolutely, ifeel like we're bringing it home for her completely. one of the reasons it's fun to talk about this movie existing at all is that we get to have her again, even if it's just through the inspiration that she gave to pablo and to steven and myself. i definitely don't profess to be giving her another platform to exis

yet within a year of the marriage, she was standing on the steps of sandringham house 3 months' pregnantthrew herself down. that's the despair. >> the establishment's response was to deny it all, it couldn't be true. to be told that the fairytale marriage was a complete sham, well, this is the story that no one wanted to hear. >> members of parliament talked about having the book banned. bookstores refused to handle the book. >> mps condemned it as a savage attack on the royal family. >> the people who did get the blame were her friends who had given interviews. carolyn bartholomew who was diana's closest friend rang me up saying, i'm being crucified in the papers here. eventually andrew came up with a plan with diana. >> diana was really incredibly brave. she could have just let all of her friends take the flack. instead, she takes responsibility. >> i turned up to caroline bartholomew's house, and diana did a bit for me. diana kisses caroline, kisses her husband, kisses the baby, i'm click, click, click. the baby pointing look, look, look! they're all pretending that they don't know i'

is a fictionalised portrait of princess diana when she spent christmas with the royal family at sandringhamold. it's an image of a british icon that has been shaped very much by outsiders. the filmmaker is hla and and the woman who plays diana as the woman who plays diana as the american actress kristen stewart. bringing a story about the so—called people's princess to london where diana princess of wales lived for many years was a big moment for the cast and crew of spencer. it's does and crew of spencer. it's does an american, kristen stewart, as directed by chile and filmmaker pablo larrain and was partly made in germany but there is a supporting cast of actors and still feels the film belongs to britain's. i actors and still feels the film belongs to britain's.- belongs to britain's. i feel like we are _ belongs to britain's. i feel like we are bringing i belongs to britain's. i feel like we are bringing it i belongs to britain's. i feel. like we are bringing it home for her completely. 0ne like we are bringing it home for her completely. one of the reasons it is fun to talk about this

we saw pictures of her at sandringham last i pictures of her at sandringham last weekend, she lookedto honour the sacrifices they have made in service and the sacrifices of their colleagues. all of those veterans as your package showed, it will be incredibly important particularly after the last year, when everything last year were scaled back, to have a full—blown service at the cenotaph. a march past afterwards. it will be really brilliant for those veterans to have her there. it’s really brilliant for those veterans to have her there.— to have her there. it's very rare that we talk _ to have her there. it's very rare that we talk about _ to have her there. it's very rare that we talk about the - to have her there. it's very rare | that we talk about the weather, roya, but i was listening to our forecaster today forecasting mild weekend. but often in the middle of november it is cold. let's not forget her majesty in 95 years old. what is involved on sunday? it hopefully will not be too physically demanding, hopefully it willjust be her usual service, demanding, hopefully it willjus

she flew to sandringham a week ago in a helicopter, spent a week in sandringham.ping back a little bit 'ust to rest 20 needs to? well i think, yes, eve one rest 20 needs to? well i think, yes, everyone at — rest 20 needs to? well i think, yes, everyone at the _ rest 20 needs to? well i think, yes, everyone at the palace _ rest 20 needs to? well i think, yes, everyone at the palace now- rest 20 needs to? well i think, yes, everyone at the palace now will- rest 20 needs to? well i think, yes, everyone at the palace now will be i everyone at the palace now will be very carefully calculating, probably recalculating, what can be done with the platinum jubilee. the priority has got _ the platinum jubilee. the priority has got to— the platinum jubilee. the priority has got to be the queen's health and her safety _ has got to be the queen's health and her safety i— has got to be the queen's health and her safety. i think what we are seeing — her safety. i think what we are seeing now is a gradual transition of responsibility from the queen to prince _ of responsibility fr

it plays out over three days, three christmas days at sandringham — so christmas eve, christmas day,diculous. it has the most brilliant score byjonny greenwood, and thejonny greenwood score is so clever because it sounds like a baroque string quartet slowly mutating into free—form mad jazz as a way of describing the interior life of its central character. i thought this was really great, and believe me, i went in sceptical, but i was knocked out. i love kristen stewart anyway, i think she�*s great. i�*ve loved her ever since the days of the twilight movies. i mean, clouds of sils maria — fine, fabulous. personal shopper — fabulous. i liked her way back then, but this is... if there is anyjustice, she should get awards for this because it�*s really, really well done. wow. yes. fascinating. well, you�*ve really, really made me want to see it. and your third choice this week? the card counter, new movie by paul schrader. so, oscar isaac is tell, who is the titular card player. travels from town to town, low stakes game, staying under the radar. that�*s how he likes it. tiffany haddish o

fictionalised portrait of diana, princess of wales, when she spent christmas with the royal family at sandringhamerican, kristin stewart, is directed by chilean filmmaker pablo larrain and was partly made in germany. but there is a supporting cast of british actors and stewart feels the film belongs to britain. do you feel this is a british film as well? ~ ... . ~' as well? absolutely. i feel like we brinuain it as well? absolutely. i feel like we bringing it home _ as well? absolutely. i feel like we bringing it home for— as well? absolutely. i feel like we bringing it home for her— as well? absolutely. i feel like we i bringing it home for her completely. one of the reasons it is fun to talk about this movie existing at all is that we get to have her again, even if itjust through the inspiration that she gave to pablo and to steven and myself. i definitely don't profess to be giving her another platform to exist, but she exists through what lingers. it is her influence. it is the things that she inspired, and we were so influenced and inspired by this woman. it is just nice to have it keep goin

three days over christmas at sandringham.e out some years ago and was just awful. this is brilliant, and if kristen stewart does not get award nominations and ifjohnny greenwood does not get award nominations, there is nojustice. in terms of streaming, what are you going to recommend? bruised is on netflix. it is directed by halle berry, who stars, and it's the story of a mixed martial arts fighter who left the ring some time ago, now is suddenly reunited with her child and discovers she has to get back into the ring. now, it's quite well directed. it's certainly got very, very gritty, punchy fight scenes. if there's a problem with it, and there is, it ticks every sport cliche in the book. but that said, there are things it does that are interesting. it's clearly very committed. during the fight scenes, there's an awful lot of rocky, and that's not necessarily a bad thing. it is not the most original film, given girlfight and more recently fighting with my family, but i thought it was fine. i think it's well directed, and cer