i have certainly felt that way with director sandy boyle who i saw train spotting and was like this isrilliant, original, frightening, exciting. i did the next movie because i really wanted to work with him. then there are times when the character just kind of like really calls out. it changes with my mood. >> i'm pressing this issue only because i want to see where you are going to go with this. we'll see. so should an artist make decisions just purely based on dough, holly hunter? >> like i'm not that artist. listen, i'm almost 60. where have been doing this for a while. in order to do this for that long you have to make decisions based on lots and lots of different criteria. i mean, the criteria have to shift especially if you are an actress, if you are a woman wanting to carve out a living acting you have to shift with the tide. you can't be unmovable. you've got to be flexible. you have to be fluid. >> i love following you. you open the doors and i follow you. let me ask whether or not as a woman, specifically as a woman, you end up resenting that, that you have to make those shif