yes, if we had done something in the spirit of sanskrit boulevard, perhaps samoilova would have playedy had series about lyubov orlova, and so she didn’t have enough, maybe the directors didn’t have enough, the screenwriters didn’t have enough of this desire to turn to the history of soviet cinema, then at that level, but in the late eighties they remembered again about the twenties, and about the fifties, maybe it seemed. .. too close, yes, they remembered the thirties, in the eighties, in the nineties, everyone thought about their own, the two thousandths came and maybe, maybe samoilova almost didn’t live to see this appeal, maybe, again, craving the cranes remained such an iceberg, i don’t know, some kind of peak, some sort of manblanc, everest, yes, in the history of soviet cinema, which, which is so high that it doesn’t even occur to me to think about returning to it, turning to it, i don’t know, it seems like you can’t reach it, that’s me i’m already fantasizing about being such a kilo? the real history of soviet cinema, unfortunately it has not yet been written, but there is a t