santana, barry manilow -- >> larry: it never stops. >> and a new order called bcg,

i'm in the studio with carlos santana, the great guitar classics of all time. santa santana-ized.>> larry: it never stops. >> -- early next year. and a new artist called bcg who wrote "if i were a boy" for beyonce. we're doing new material. >> larry: you ever think of retiring? >> i never think of retiring because i look at you more vital than ever. so you're not retiring, i'm not retiring. >> larry: harry-y didn't you follow up more of your film career? >> i'm still doing it. it's just some films do you are more successful than others just like records. so i'm just doing movies based on things i want to do. and if they become popular that's great. the last couple i did were sort of smaller movies. but i still like to do it. >> larry: you're amazing. >> thanks, larry. i think the same about you and clive. and it really is a great honor to -- >> larry: my honor. >> i'm screwing with you a lot. and i like to screw with clive a lot too. but it's all out of respect, you know. not so much for clive but really for you. >> larry: the amazingly talented harry connick jr. and clive davis.

i produced a whitney houston comeback album and we are in the studio with carlos santana, but this is time ever for me. we had never collaborated before. i was the one who approached him. >> larry: you approached him. >> yes, i did. >> larry: how did you feel, harry, after you heard from the legendary clive davis? >> i was excited after i heard who he was. i never worked with a producer before other than a guy i worked with -- i've known him since high school. this was sort of an outside input on somebody of clive's level. i was blown away at the prospect of doing that. >> larry: your generations are different. did you have problems? >> oh, no. >> larry: did you have disagreements. >> we had disagreements not because of generational issues. we knew what record we wanted to make it was a matter of finding each other's language off. we come from two different places. clive comes from rock -- >> larry: rock. >> not only rock and don't interrupt me. he comes from an aymr point of view. are you laughing at the clown now? >> larry: no. i'm wondering what it is like to interview someone when