sarah bernhardt. this one made a pale and full blues rays and greens. bernardo much of her face echoes numerous large prints, in part because of ruba bernard, the allure ofella cochran's two decades on either side of 1900, a period that ended once and for all, with the outbreak of world war in 1914, elements of color and treatment, the figure that we saw in these posters proved influential in the early 20th century. even as the medium came into increasing use by government and civilian entities looking to make public statements and draw attention to the war on the left as a colonial enlistment poster by french artist maurice romberg from 1918. on the right is a women's suffrage poster by an american female artist. evelyn rumsey, carried from 1917. we can see the similarity between these two posters and the posters of schaeffer and luca, the figure in rosenberg's poster is certain aspects of his depiction remind us of his shirts. the figure is in the midst of, in this case, riding a horse and it is unclear where exactly rider is, except because of the clouds you see as his feet, which to suggest that he is somewhere the material world, perhaps in a dream,