valentin elizaev has raised the bar high. and he created something fundamentally new for the entire soviet ballet. her girl is somehow like some kind of tool. sashaion of the seventy- sixth year of the creation of the world will become a real hymn to man for all time of life, conquering death. good conquering evil only refers to this plot, and through the story of adam and eve, he suddenly builds a parable about the apocalypse about what is relevant at that time and today, yes, how we protect the world. then it was the threat of nuclear war. yes, today, probably, these are some kind of environmental disasters and so on. yes, but suddenly the fragility of the world comes to the fore, and the need to protect it and some kind of hymn to a woman at the end, because it is a woman who revives something that can die and die forever, and while some admire the philosophy embedded in the choreography of others see the performance of fashionable anti-church propaganda one way or another , soviet citizens treated the sensational production as well as to any other deficit to get, at any cost i was invited upstairs and they said, for some reason you should do