pasha bykov then sasha voronetsky, then backstage at a banquet. sasha and i began to talk. fedor was just in the hospital. here i lay on the cure for the next one and i'm sasha sasha says, well, what do you have to share now so many years have passed since you broke up? would you visit fyodor, he is very seriously ill, as if sasha almost with malice yes, he went all ambitions ambitions is not clear already. what to share, what to share to share? for some reason, we were closer to fedor than fedor was with sasha, or what? somehow, the sincere one somehow asked the soviets for some revelations, and then you know, every time we came from our sevastopol, we would definitely meet. we last saw each other in the fall of 21 years. we are at home. it's literally for there for half a year somewhere before fedya flew away without a return. i remember the old circus , i remember that it was enough to write a pencil on the poster for kiev. there nazarova bugrimova durov and everything is a month and a half ahead, already lags, and now there is no surname, no, surnames, that hippos croco

well, when, as it were, everything became clear, and sasha voronetsky, throwing up this slender yankahis powerful shoulder, it means that he should have shouted in a woman's voice. watch out man. sasha shouted for the first time at a rehearsal that he lost his voice and shouted out in some hoarse rooster voice. well, that was pretty funny too. well, circus, what can you do circus. snack gradually mastering different circus genres, they were already precisely determined, as if they were the national belarusian clowns. well, such bulbashes, of course, they included such old classical reprises to expand the repertoire, and this repertoire from the reprises was enough for them for two parts and in the seventieth year they made their debut in the odessa tsitserok, but, but we expected them with a repertoire that had already been run in . in 1972 in minsk and now on what occasion did we prepare a large national program for the fiftieth anniversary of the formation of the bssr in 1972, the program, in general, almost entirely, consisting of numbers released in the minsk circus and this progr

voronetsky guleyvich. they share a room. the general program is the general repertoire of the general props, the general general image. they didn't understand it. sashato saratov where his wife's father was, uh, a ringmaster. fedya adjoined various clown groups in minsk did not come. i didn’t see it, then i went to my daughter in america, where, with my miserable solo repertoire, i also tried to get somewhere, worked as a barker, grimaced in front of entrances to supermarkets, the old patient returned, and here no one needs them anymore. it all fell apart because of the ambition of two feisty wives. in february 2019, at the celebration on the occasion of the sixtieth anniversary of the minsk circus , we were invited by veterans of the minsk circus to this celebration, the red carpet through the entire arena. i follow pasha bykov first, then sasha voronezhsky, then backstage at the banquet. and at this time, fedor was just in the hospital. here i was lying on the treatment for the next one and i say to sasha. sasha well, what do you have to share now so many years have passed since you broke up? would you visit fyodor, he is very seriously ill, as if