together with the art critic savva yamshchikov, he collected paintings, olipi's father often acquiredes, saving them for russia several times. he told me to get up. i feel that life will not last long, sick and growing everything. well, i say, father, move one museum, most of the paintings, then they were transferred to the russian and pskov regional museum. but the new picture of the gallery surikov aivazovsky polenov levitan is now open for public access, put a branch of the russian museum in pechory here at this exhibition. e, dedicated to the lord lolita 550 of the pskov caves monastery, for whom, e, father olim did so much, and so that such large works as in this hall and in the next hall, so that they would be the work of the first row of our russian national art here. for the next year, we a agreed that the russian museum. ah, here he will prepare the ears for an exhibition either pushkin or on the anniversary of alexander iii of the century, the monastery and fortress continue to stand as a stronghold guarding the northwestern borders of russia for the sixth century, without i

savva yamshchikov recalled these days when i arrived for the first time, working in pskov in pskov pechorskyct and destruction. i arrived in the sixty-first year. and just archimandrite olympius, appeared there in the fifty -ninth year and work. the monastery was just beginning. well, here are the engravings of piranjevic , romantic ruination, neglect , the breaches in the walls were such that cows were leaving the pasture. they could go there through the walls lined with trees. it is now in the monastery garden, as if in sadurai , snow-white storks sway on long legs and graze thoughtfully. timid deer from solipia, what did you see? the boiled monastery had to roll up its sleeves , stone by stone, to restore the monastery itself and to a pure life. what was in decline, look at this wall. this is the old masonry, and at the top is the new masonry. father olympius did this in the sixties, despite the fact that the church then did not even have a legal entity. it is the second one who will give it to him, and the first one is from prisons from the fronts from exile. he gathered here in the mona

savva yamshchikov paintings, the father of olimpi, acquired from often from different sources, saving them for russia, and told me somewhat well that the patient would not live long and that peter was still. well, i say, father, move one museum , most of the paintings were then transferred to the russian and pskov regional museums. and here is a new picture of the gallery surikov aivazovsky polenov levitan is now open for public access, put a branch of the russian museum in the ovens here at this exhibition , dedicated to the lord of the chechersk monastery, for whom, uh, father olim did so much, and so that such large works as in this hall and in the next hall, so that they would work here in the first row of our russian national art. for next year. we agreed that the russian museum , uh, will prepare an exhibition of either pushkin or for the anniversary of alexander iii of the century . the monastery and fortress continue to stand guarding the northwestern borders of russia for the sixth century, without interrupting such a day you will meet. is it that on holy athos the indefatiga