he's the saxophone player. hold, here's another saxophone player. >> there's only room for one of us. >> a staredown ensued. >> he had a saxophone with him, puts it together and listen to the beautiful music. >> they just start playing michael jackson's billie jean. ♪ ♪ >> dueling saxophonists. it's awesome. >> it's more like a duet. they joined forces almost. >> yeah. >> like west side story with jazz instead of fighting. >> tell us more about this impromptu saxophone battle, we actually have sapphire with us from new york. welcome to the show. >> what's up! . my crew, great time. great time. right here. great time party. >> the best in the world. >> we believe you after seeing this video. tell us exactly how this whole thing started. >> i like carry my saxophone. i was carrying to play with donnie. he's the drummer in great time. this guy was playing. i was like, yo, i want to play with him. i took out my saxophone and i went and we jammed. we made a musical connection of sickness. i was putting the saxophone

[solo saxophone plays] (tesar) if i'm playing with a group, i have to coordinate certain elements ofarmonic accompaniment with other players particularly the bass player. he and i have got to be in agreement. (man) the main function of the bass is to play the bottom note of the chord. that's pretty much what you're hired for. that's your function. that's your responsibility. outside of that, you can play other notes in the chord, for instance, the piano player or the guitar player is playing a g chord. the root of that chord is a g note. now other notes in the g chord would be the g and the b or the third, moving up to the fifth, which is d, and then, in the octave, another g at the top. you can use those notes to create an interesting line, you know, that's the first-- those are the most common tones, the most inside notes to play that will agree with what the piano player is playing. oh, let's try that again. yeah, right. (tesar) after we agree on the basic harmony, we can still shape each individual chord a little bit differently. the page may call for e minor, 7, a-7, d major, 7,

i have my saxophone at home. >> stephen: saxophone is not a wood instrument it's a bass instrument >> a woodwind. >> stephen: a woodwind is like an obone. i don't want to fight. >> you can't fight because you're in there. >> stephen: oh, i can fight you. look, i'm going to push you on your shoulder. listen, you want to fight right now, bernard. >> i don't know who the guy is in there, but you know, i'll whip his ass. >> stephen: i say we fight right now. or you're a coward. you're a-- you're a brass instrument-playing coward. >> i'm going to whip your friend's ass, i'm tell you right now. >> stephen: ( cluck ) >> don't get that guy in trouble? >> why because he'll push out shoulder again? do did it. do it. >> i'm going to dust this guy off, man. i'm trying to tell you, man. >> stephen: what brings you to the big apple? >> it's my first time here. we went to see "wicked" last night. >> stephen: are you going to score any weed? >> i don't know about that? >> >> stephen: just make sure you do it legally by asking a cop where to smoke pot. ( laughter ). i doped up quite an appetite. mmm-m

i might play four measures, then the drums might be featured for four measures, and the saxophone might play four measures, then again featuring the drums. we call it trading. we start passing the ball around the band a little bit, and we trade back and forth four measure phrases. [plays sample] and the drums would take it. [drum solo] the way of featuring a drummer without maybe necessarily all of a sudden having the music stop and feature only the drummer. (man) the interplay can be back and forth between one other instrument or the entire band, so it's an opportunity for the drummer to lend a little excitement to the piece, to make his statement very briefly and succinctly. and then all of a sudden, melody just comes back in. we all seem to know where we are, magically, but we're just really counting measures. [playing traditional japanese music] (narrator) unlike the majority of western classical or popular music where repetition of a theme, section, or verse plays a big role in determining form, traditional japanese music unfolds progressively like a story, so that with each new se

i'm not good enough to play golf on the senior tour and do play my saxophone as much as i used to soo it in public and i makes me happy. i do it because i think back to the life i've been given by the american people, i'd be kind of a slug if i didn't do it. should do it. [cheers and applause] -- i mean, i should do it. if you've had the life i've had and people have given you what they've given me, -- >> stephen: i'm agreeing with you and that's dangerous. [cheers and applause] >> i'm about to get you. you know, i think i'm just doing what i should do it and it makes me happy. >> stephen: how would you compare something like the cgi to other big groups that get together like davos ted talks or burning man? what is the difference between this and those other gatherings? >> the simple answer here is that here serve expected to make a commitment. at the cgi meeting which is cheaper than davos but less fun. you don't ski bump up or so many global c.e.o.s or fortune 500. >> stephen: does bono go to that one? >> he comes sometimes but he is a commitment maker and doer. everybody here has

>> i played the saxophone. >> jimmy: i played the clarinet. >> jimmy: i'm not harold. kesha, the show is called "my crazy beautiful life." it premiers april 23 on mtv. and you're going to be at the mtv movie awards sunday night. when we come back music from paramore. ,,,, an) 3 days of walking to give a breast cancer survivor a lifetime-- that's definitely a fair trade. it was such a beautiful experience. (jessica lee) ♪ and it's beautiful (woman) why walk 60 miles in the boldest breast cancer event in history? because your efforts help komen serve millions of women and men facing breast cancer every year. visit the3day.org to register or to request more information today. it was 3 days of pure joy. ♪ and it's beautiful >> jimmy: their self-titled album is out now here with the song "still into you" paramore. ♪ can't count the years on one hand that we've been together i need the other ♪ ♪ one to hold you make you feel make you feel better it's not a walk ♪ ♪ in the park to love each other but when our fingers interlock ♪ ♪ can't deny can't deny you're worth it 'cause

>> i played the saxophone. >> jimmy: i played the clarinet. >> oh, that's so bad. >> jimmy: i'm not haroldit sounds interesting. kesha, the show is called "my crazy beautiful life." it premiers april 23 on mtv. and you're going to be at the mtv movie awards sunday night. when we come back music from paramore. >> jimmy: their self-titled album is out now here with the song "still into you" paramore. ♪ can't count the years on one hand that we've been together i need the other ♪ ♪ one to hold you make you feel make you feel better it's not a walk ♪ ♪ in the park to love each other but when our fingers interlock ♪ ♪ can't deny can't deny you're worth it 'cause after all this time i'm still into you ♪ ♪ i should be over all the butterflies but i'm into you and baby even on ♪ ♪ our worst nights i'm into you let 'em wonder how we got this far ♪ ♪ 'cause i don't really need to wonder at all yeah after all this time ♪ ♪ i'm still into you recount the night that i first met your mother and on the drive ♪ ♪ back to my house i told you that i told you that i loved ya you felt the weight ♪ ♪ of the wo

there were companies that were offering to provide that large jazz band with the most powerful saxophones to be able to fill this space. others use imperial palaces that they had left behind when they could rival monte carlo. in fact frederic encountered serious competition from people with deep pockets. he was also flagrant with his money when he was flushed. he liked to show friends a good time. the result was a 1926 after several years of spectacular success he had no protection from any government agency. americans didn't want him and the russians were too far away and indifferent. so he was left his own devices. his properties and a stumble were seized ways turkish creditors. he didn't give up. he tried to escape to the new capital. he tried again to stop a new operation but he was arrested for his debt and transferred to an old a ghastly presence in constantinople where he languished for about six months before he again contracted pneumonia by the summer of 1928. he became seriously ill with he was transferred into the care of catholic nuns and he died in their hospital on june 12th

the relative went on to describe adam as brilliant, saying he played the saxophone and studied mandarin chinese. and yet, in 2008 nancy removes him from newtown high. >> when you left for other pursuits in july of 2008, did you learn that nancy took adam out of high school? >> yes. >> why do you think she pulled him out? >> i don't know. i've pondered this issue for a long time, i've often wondered if she felt one of his main support networks was no longer there. i don't know. >> so you don't feel like you're in a position to know whether that was a good idea or a bad idea? >> it was a bad idea either way. you have a boy who was receiving a tremendous amount of support. suddenly when she pulls him out of there, he loses all those support groups. that's where he would have fallen farther and farther into his problems because he didn't have the mental health support group that he once had. >> richard, when it was observed that adam in high school was playing violent video games, did anyone try to dissuade him? >> a lot of kids were playing violent video games. adam had shown at that point

who's a saxophone player. >> been with us for -- >> jimmy: years. >> yeah, yeah, yeah. >> jimmy: apparently he hit a golf ball or something like that and then it landed in your breakfast. >> you know, bobby's memory is very accurate. [ laughter ] >> jimmy: really. and so -- it landed in your breakfast. and then you pulled out a pistol -- >> he did shout fore. >> jimmy: he shouted fore. >> but then there's this golf ball in my scrambled eggs, man. [ light laughter ] and it's a little early in the morning for me to sort of take this as a joke, you know. [ laughter ] >> jimmy: yeah. so he screamed fore. >> i pulled out the old trusty .38. >> jimmy: yeah. >> and blew that ball apart. [ laughter ] [ cheers and applause ] >> jimmy: you shot -- >> completely unwinded. >> jimmy: yeah, yeah, yeah. you've got to -- you've got to unwind. you guys, 50 and counting tour. go to rollingstones.com for tickets. keith richards, you're the greatest. [ cheers and applause ] you're the greatest. thank you, buddy. don't get up. please, don't stand. we'll be right back, you guys. come on back! [ cheers and applau

because i'm good at it and i'm not good enough to play golf on the senior tour, and i don't play my saxophoned it makes me happy. >> that was part of president clinton's conversation with stephen colbert at the clinton global initiative's annual meeting. everything the clintons do is seen through a political prism, particularly as we wait for hillary clinton's next move. let's bring back michael steele, luke russert and blanche lincoln. i want to get into the twitter thing but that takes awhile with bill clinton and twitter. it was prezbillyjeff. 50,000 followers if they already don't have it. blanche lincoln, watching this, it was interesting to hear bill clinton, you know, he's not shy about promoting the idea of hillary clinton running again. he's almost less shy about it than hillary clinton is. >> well, he's got confidence in her. i think a lot of us do. she's brilliant, she's done a great job as secretary of state. she came into the senate when most people's expectations of her were that she was going to be very demanding and arrogant and she was the complete opposite. she worked hard a

playing the saxophone and drawing. family's rhode island home, where she fled after learning of her husband's death. and where authorities visited her several times yesterday t question her. with a ditiffitiily ishrto deal so -- that's what -- that's -- that's the best i can do right there. >> reporter: russell and tsarnaev married about three years ago. giving birth to a daughter. >> i have seen the baby just playing in the yard. everybody seemed happy. >> reporter: her friends reportedly said that tsarnaev was controlling her. she dropped out of college after meeting him. disappointing news for her former high school art teacher. >> i remember the conversations that she was very intelligent. she would, you know, definitely add to discussions in the class. >> reporter: and while friends say she was never religious, abc news has learned she converted to islam some time after she and tsarnaev got married. her family has spent more than a decade in this home. a home that was put up for sale just days ago. when asked abou

. >> since a lot of just on saxophone, since a lot of the big corporate tax break benefit manufacturers, is it possible to

cynthia wesley, 14, was an honor student who enjoyed playing the saxophone in her school band and on that fateful sunday was going to be her first day serving as an usher in church. although there are many individuals and events of the civil rights movement that rightly are worthy of recognition, the selection of the four little girls was emblematic of so many who sacrificed and lost their lives for the cause of freedom. medgar evers, emits till, jimmy lee jackson, as well as virgin wear and james johnny robinson who was also killed within hours of the 1963 bombing. they were all martyrs for justice who we should never forget. it was their blood which was shed for the bounty that so many of us now enjoy. while we recognize that this medal cannot in any way replace the lives lost nor the injures suffered as a result of the horrific bombing, i hope this medal serve as as a powerful reminder of the importance of the many sacrifices made and the great achievements obtained so that this nation could live up to its ideals of equality and justice for all. this nation should never forget tho

ana's father jimmy is a very well noted saxophone player. hartford native. the family had come back to connecticut to raise their kids. ana was musical. she used to love to sing and dance. she loved most of all doing that at church. she was so connected to her church. she loved reading the bible. she loved having the bible read to her. she loved being part of the dance and singing experience at her church. her parents said that she -- she didn't walk anywhere. that was not her method of transportation. her mode of transport was to dance from place to place. she survived by her older brother isaiah, a third grader at sandy hook elementary and who survived that day. ana, you can find on youtube. ana's performances having viewed hundreds of times online was a talent and she had talent in her blood. who knows whether she was going to choose music and dance as a career, but those creative muscles that she had and the amazing parents that were raising her was going to assure that she was going to be something really, really special. she died that day horribly, but