haven’t forgiven you, i probably want to end our podcast on this...emotional note, it was the schödinger’snd i am its host grigory tarasevich, chief editor of the schrödinger’s cat magazine. hello, this is a theater podcast. and i and its host anton getman, today we have an unusual episode on air with two guests at once, with whom we will discuss how there are two key theatrical professions in the theatrical process, in the professional process: director and artist, and we will discuss this with my friend, artistic director of the moscow drama theater named after pushkin, evgeny pisarev with the incredible wonderful artist of the same theater alexandra ursulyak. hello, zhenya, hello, sasha. hello, greetings, the route by which you got to the pushkin theater is surprisingly similar, you graduated from the moscow art theater school at different times, with a difference of 10 years, yes, you ended up at the pushkin theater, where i work to this day, tell me, that’s it what happened before emhat studios school, your dreams of becoming artists, they also coincide or maybe these are different st

put it together, yes, the best, the new season, on sunday on the first, with you is the podcast schödinger’shail, tell me, here are frozen foods, warm foods, they are cut differently. yes, of course, in any case, everything is cut. differently, if, for example, it is some kind of steak with sashimi, it is cut very simply, easily, and if a sharp knife is used at a certain angle and with a certain amount of pressure, if, for example, we are talking about a frozen product, for example, like carpaccio from beef or salmon, which is cut there in a slicer, again this is a rapidly rotating disk, this is also knife, with high speed, and it with pressure force, that is, speed. the pressure rotates quickly, which creates an increase in the cook or whoever cuts, slices into thin slices, that is, this also requires more energy and pressure, as far as i remember, when we skate on ice, due to the friction pressure at the point of contact of the ice ridge the water melts, so we can quickly roll back and forth. does this effect occur in the situation of slicing a frozen product? the same thing, when we cut,

together of peoples through science, and not some kind of... see the episode of the podcast kude schodinger time program is on air, in the studio of ekaterina andreeva, we will talk about the main events of the day of the outgoing week. iranian strikes on israel, hundreds of drone missiles in 5 hours. last information.

institute of nuclear research, watch all episodes of the podcast schödinger's cat on the website of channelpower of science will be with you. hello, this is the easy money podcast, i’m its host, mikhail khanov, today we have a wonderful guest, anton suborov, economist, rector of the russian economic school. hello, anton dmitrievich, hello, mikhail. we recently discussed the topic of behavioral inflation. when a group of people or a whole class of people influences the prices of certain goods or groups of goods, but, probably, it is right to talk with you, as a professional, as a professor, about the fundamental meanings and prerequisites of this term in general, like behavioral economics, here i would still like to analyze this concept in general, what it is, where it came from and how it affects a person, especially now, when the role of... we constantly hear from many sources, namely behavioral economics is increasing, is that so? it seems to me like this: behavioral economics arose as an antithesis to classical, neoclassical economics, which is based on the postulate of rational human be

t forgiven you, i probably want to end our podcast on this emotional note, it was a podcast by schödinger’s an unusual release. there are two guests on air at once, with whom we will discuss how two key theatrical professions exist in the theatrical process, in the professional process: director and artist, and we will discuss this with my friend, artistic director of the moscow pushkin drama theater, you left, yes , yes, well, for four seasons, yes somewhere, but at the same time i did not leave the pushkino theater, because at the same time i still staged plays there at the invitation of roman kozyk, here, but before that, of course, on the one hand, i kept dreaming about the theater, dreaming about acting, but on the other hand, how exactly will this unfold, why will i end up in the theater, why will i be tied to this place, of course not , absolutely, i loved other theaters, i went to other theaters, sasha, and what about you and mine? indeed, there may be something similar to the story, but it may be less conscious than that of evgeniy sanovich, because it seems to me that i opened my