we studied together from the school of musical pupils. there in the orchestra of this circus, then already here and there it remains only i want like this instinctively up to 200. you have three more questions for four, but here it’s already the top five, that is. according to the five, there were still zhoriki, right? that's what i say in mine. well , come on, there's nothing left. well, to the right so we're moving on? yes, but that means yes, that's for sure. you go even and the amount has increased and so on. well come on one, that no beacon's right to error. you do not give, we would hold out. yes, if only to say our players are taking the last opportunity to make mistakes. well, the first idea is filat yes filatova yes filat. valentinovich filatov whose name bears the yekaterinburg circus was born in yekaterinburg correctly filatova well, it's a pity, that's the bear, let's replay. he must be married with children, it's shorter than 2 weeks, to correct the shortcomings that you are asking me to marry because of an apartment or money

of our country. teachers from leading music universities gave lessons to young yamal composers, and pupils of children's art schoolsreceived master classes in piano, vocals and guitar. it's been 5 years now gifted children are helped by yuri rozam's workshop and gazprom neft at the reporting concert zulya osmanova visited one piano nine-year-old ruslan isaev a pupil of the music school of the city of noyabrsk after another people's artist of russia yuri rozun pianists, beginners and the maestro are looking for the right dynamics in sviridov's song the very transition of forte to drunk . come on, well done, you have a good sorcerer, i will conjure something good. thank you, and please, all the fincops go deeper, the next one at the master class is timothy of the apostles get inside. it's like he wrote them. he himself, together with beethoven, can play one piece hundreds of thousands of times in a different way, only without playing music on an automatic machine without a team. why did the melody suddenly jump off some kind of inner impulse that led to this? we do not change a single note, what is written to us, tha

helped by the workshop of yuri rozum and the company gazpromneft at the reporting concert zulya osmanova visited one piano nine-year-old ruslan isaev , a pupil of the music schoolthe city of noyabrsk, after another people's artist of russia yuri rozun pianists, beginners and the maestro are looking for the right dynamics in sviridov's writing the very same transition from forte to drunk. c'mon, well done, you have a good sorcerer something good. and please, all the fincops go deeper, next at the master class timothy of the apostles to delve inside. it's like he wrote them. he himself, together with beethoven, can play one work hundreds of thousands of times in a different way, only without playing music on an automatic machine without cramming. why did the melody suddenly jump off some kind of inner impulse that led to this? we do not change a single note, what is written to us, that it is given to us, like the bible we do not change a single note, but we pronounce them differently in which place to make them brighter accent? why should the left hand play weaker to absorb the melody into yourself, hear it inside and give the listener something completely differ

pupils in orphanages of boarding schools and young athletes. here, it is already a good tradition. we must educate and educate them. this is good beautiful musicements on our champions and instill in them patriotism and love for their homeland. so today in the gi palace. children perform eighteen-time world champion, medalist tokyo olympics dina averin, multiple world and european champion arina averina, multiple world and european junior champion lala kramarenko, and with them, of course, the entire russian team, the brightest stars of russian sports.