seagalova had about a dozen and a half dramatic roles and, nevertheless , dance training.ause the dancer’s back, and the dancer’s plastique , it’s completely impossible to play her or if she wasn’t there, seagalova has her in the first series, in my opinion, even sometimes and not only in her sounds the last superhit, the repertoire of alla pugacheva ballet ballet-ballet, and all subsequent compositions were sad songs of an aging prima in ballet. she was absolutely gorgeous. here i am a complete witness in the eighty-sixth year, when this song sounded for the first time, uh, it blocked all possible hits of the year, and plus u in the final u, filmed in rapid motion by an enthusiastic crowd of dancers, of course, refers to the film alla na parker about u , dancers and pro er, ballet. uh, slava, which again speaks very well to the director, because the memory of the past has already been erased, as at least two generations uh, spoiled uh hmm by momentary access to any past, and therefore unwilling. even to know about him, uh, from the engagement, the forerunner still knows w