this creative invention is led by choreographer richard segal. played. the dance studio is located behind a gas station in the middle of an industrial area the dances know each other some of them met while the project was in the development stage others have danced on stage with siegel she is. the beginning was incredible when it became i mean did it music loud or else the n f 3 it was so. their energy is contagious i think they're amazing. the. choreography is done. redone and redone and we've done it it's a ball of tile art form and at times it's useful. to still release some kind of latent energy which may still exist within the world. we have this downs that's choreographed we can teach it parts of we can modify parts of that but it shouldn't it's not just in one direction that's what i'm what i'm saying the important thing is exactly what has happened when we walked into the room and you guys were dancing and the music was good and we started going and everybody just started dancing and now i'm a sweaty mess. that's exactly. what we came for we have

with csis senior fellow stephanie segal.it very interesting that so far, we have seen highly symbolic, very public kind of announcements and counter sanctions that these are not really impactful in terms of not really addressing any direct member of the white house and the current administration. at what point do you start to see more severity in the actions that are being taken? china is: i think already measured in terms of how it is responding and being careful not to escalate in areas where it does not absolutely see the need to escalate. in contrast of that, i think we do know there are certain redlines that china is not willing to back away from that have to do with its perception of its own sovereignty. so if it can kind of toe the line on those issues and not risk further escalation by responding via sanctions, the sanctions that don't have a real it's calculation is the best way to go. side, is thisu.s. also calculated from the trump administration? there is the view that he wants the phase i trade deal to so go ahe

changed so fundamentally since establishment of classical ballet as it is still practiced in many places segal felt compelled to reflect this in his current opera faith. so the 1st time we ran it with the drums i thought it was really on top of the of the counts anyway yes kind of in the council on the 2nd time i lost it becomes completely halfway through because we have certain accents also in the electronic feed that i yeah yeah i take as a cue yes so. in the end i don't know my caribbean part just came out. of. the. current graffiti that reflects today's multinational and multicultural societies that siegel's trademark here and like us it's easy to see how the contributions of dancers from diverse ethnic backgrounds can enhance a performance it doesn't matter where the dancers were born they find a common language of artistic creation the blues pulled boundaries. who shot it was the freedom of this presidential experimental saying what they think you know like bring it all to bring it all the best in those. who got to when no one likes you doing. just my piece this mouthpiece you know may 1

he worked very hard to get ethnic regiments and ethnic generals, fromme segal among the germans and corcoran was the poster boy of irish patriotism. when things began to get a little rough in terms of his relationship with the irish-american community and irish-american voters is when the emancipation proclamation was issued and the rash out for the war expanded from just preserving the union to eradicating slavery as well. not that inc. willen had illusions he had political supporters in the irish community. he knew the irish were democrat. but in 1861 he did not want the fight against the succession to be a republican war only. so he was willing to accept all parties to the service. >> the next question -- i know the answer to this one. you said the return of the 69th was exhibited at the midler gallery on 9th avenue -- it was actually 9th street, right? >> 9th street, okay. >> our viewer said the far west side of manhattan what was a wasteland, which it was -- >> good correction. thank you. >> there was no art gallery over there. i was surprised to hear it was on 9th street actually, arou

peter looks at george segal's mouth for a little while and then he looks at the drink in george segal'snd he spent a lot of time looking at this really cool brooch that elizabeth taylor is wearing. he can't understand the social context. the words in that scene mean nothing. it's about the meaning of the three people interacting and he misses all that. because he can't mind read. that shred of literal evidence is being said is wholly insufficient for making sense of what's happening in the movie. disappointed that scene work climaxes with richard burton, takes out a gun and points elizabeth taylor and pulls the trigger. if you sit in the movie theater watching that there's a kind of shocked stunned silence because you are thinking, oh my god, then the umbrella comes out you are like Ãbone peter saw that, burst out laughing. because it slapstick to someone who doesn't understand the social context of what has gone on in that movie. the inability to read minds creates an enormous problem when it comes to making sense of any fast flowing complex social situation. this is a very long way of

segal and i are still represents marquess b. and is critical of the fact that the state investigators have agreed to cooperate with the private auditors. this is the one hand it is not justifiable and in my view not acceptable that the public prosecutor's office should agree that heckler and koch of all companies which is the target of the accusations should be given the opportunity to become involved in the investigations by commissioning an internal expert report that it may take a p.m.g. a lot of money to bridges. why did the authorities agree to cooperate with k.p.n. ji in the 1st place how close was that cooperation. take a p.m.g. report confirms the cooperation with the police customs investigators and the prosecutor's office. the customs investigators say they exchanged information with k.p.n. ji for 3 years. this is the reason i believe that we also have these so-called pawns in the dark we do not have the people actually responsible for the whole story for initiating it and i don't. those people are probably more likely

there is another more poignant scene where elizabeth taylor was flirting with george segal. same flirting going on and richard burton is getting angrier and more jealous. . . . ool to look at the way normal viewers look at scenes because you doing the triangle thing at breakneck counting emotions, what is burton going to do, how dare she flirt with this man in front of her husband? what does peter do? peter looks at george siegel's mouth for a while and then looks at the drink and george siegel's hand and spends a lot of time looking at this really cool brooch. he can't understand the social context. all he can hear the mewords. words in that scene mean nothing. it's a scene about flirting, who cares what's being said. it's about the meaning of these three people interacting. he misses that because he can't mine read. what is left is a little shred of evidence from that scene, that little shred of evidence, what's being said, is wholly insufficient for making sense of what's happening in the movie. there's a point in that scene where climaxes with richard burton, takes out a

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