wow, that semenko, there is a lot of interesting stuff, it was semenko who brought him and dovzhenko,hat’s right, to the odesa film studio, and yanovsky and dovzhenko, that's right, he brought them all somewhere, he also brought yanovsky to literature, sent a pony. his beloved, so to speak, when he read his first poems in a newspaper in kyiv, asked his beloved to inquire who he was and bring him to their futuristic organization, he brought kol in the same way. he first went from kyiv to kharkiv to work in the uvku, but he also passed by everyone in the world there, including yanuvskyi and bazhanov and geush korupia, the kyiv futurist poet, who later returned to kyiv, but he also did not miss the cinema, because he shot and wrote the script for two films, both were screened, but both films , unfortunately, have been lost and both were shot at the odesa film studio, obviously not obvious, in the days when yanovsky worked there as an editor, that is, their world. was tight, they correctly moved from kyiv futurism to odesa cinema, it’s the same as now, everyone knows everyone, so in this

tells him, hey, yes, it's about semenko, there's a lot of interesting stuff, but it was semenko whonka, correctly. to the odesa film studio and yanovsky and dovzhenko, that's right, he brought them all somewhere, he brought yanovsky to literature as well, he sent a man for him, so to speak, when about... i read his first poems in the newspaper in kyivska, he allowed the man to inquire who and bring it to their photography organization, he also brought it when he first went from kyiv to kharkiv to work in the uvku, he also passed everyone there, including yanovsky and bazhan, and geushko rupiya, a kyiv futurist poet, who later to kyiv returned, but he also did not miss the cinema, because he shot and wrote the script for two films, both of which were screened, but both... the films, unfortunately, are lost and both were shot at the odesa film studio, obviously, well, not obviously, in those days, when yanovskyi worked there as an editor, that is, their world was tight, they correctly moved from kyiv futurism to odesa cinema, it is the same as now, everyone knows everyone, so in this

lyuchenko natalya uzhviy semenko's wife, well , she is either semenko's wife, or semenko is uzhviy'sband, it can be called in different ways, that is , it was like this... the house in which the creative creative bohemian and petro lisovyi gathered is pseudonym of the writer, his real name is svashenko, and his brother semyon svashenko, an actor, a star of dovzhenko's arsenal, that is, it is obvious that in that house, for example, dovzhenko often visited, visiting various writers with whom he was friends, and it was such a melting pot , in which, above all, the conditions for work are still human. the conditions that writers needed in order to develop their talent, in order to write, draw, like artists, and this is a group of friends, and there were some parties, discussions, well, in any case, with beatings, with disputes, maybe with very emotional disputes, but it was a period when works were created, maybe not at the time, maybe works were written somewhere earlier, which became a golden fund. of ukrainian literature and what was later called, if i'm not mistaken, droitsky shot,

well, that, or she is semenko's wife, or semenko's husband is lively, it can be called in different ways, that is, it was the kind of house in which gathered a creative, creative bohemian, and petro lisovyi is the pseudonym of the writer, his real one. svashenko, and his brother, semyon svashenko, is an actor, a star of dovzhenko's arsenal, that is, it is obvious that in that house, for example, dovzhenko often visited various writers with whom he was friends, and it is such a crucible in which, these are primarily conditions for work, after all , human conditions, which writers needed in order to develop talent, in order to write, draw like artists, and... parties , some discussions, well, in any case, with beatings, with disputes, perhaps with very emotional disputes, but it was a period when works were created, maybe not at the time, maybe works were written somewhere earlier, which became the golden fund of ukrainian literature and what was later called, if i am not mistaken, shot, and when, but later the tragedy began. actually, ah, the central story of this movie is obviously the t

wife, well, either she is semenko's wife, or semenko's husband is lively, it can be called in differents, that is, it was such a house in which a creative, creative bohemian gathered and... and petro lisovyi is the pseudonym of the writer, his real name is svashenko, and his brother, semyon svashenko, is an actor, a star of dovzhenko's arsenal, that is, it is obvious that dovzhenko often visited that house, for example, as a guest of various writers, namely mykola khvylovy, who actually had a last name again fitilov, as far as i understand, and as far as i remember, i should remember, and what do you think, or? indeed, this is the suicide of the author of yaromantika, it is such a concentrated, concentrated pain of this tragedy of the house of the word, well, that is, everything else can be woven into it and kulish and kurbas, and in kyiv at that time kosynka was also killed and pluzhnyk was sent to solitary confinement, that is, it is not it happened only in kharkiv, but the whole and yalova, all these tragedies can be influenced by this concentrate, which was discovered in the history

reviews there of the first books of the series and supported him, who wrote about the first editions of semenko, this year he singled out two novelists and devoted large articles to them, although they each had one novel written, and about yanovsky in particular he wrote that more there is no master of the ship, that is, his article for the master of the ship just came out, but yanovsky already had baigorod, there was a collection of the blood of the earth, and in the master of the ship, they drink wine, contraband wine of the blood of the earth. yanovsky rhymes himself, you see, gives us such hints about some additional reading and about the connection with his other works, yes, but it is not necessary to know this, yes, you can read, understand and love the novel without it, but nikovsky predicts for him the great future of yanovsky, which was completely crushed as a result of the cultural policy of the soviet government . in essence, yanovsky's roman is such a crack, a window into the world that we did not manage to save, it can be interpreted as such, you called this resolution, i also wrot

, yes semenko. futurist, they don’t study it in detail at school, it’s not easy, and it will give an to further work, because it seems to me that just the stage of the scientific accumulation of information about this huge period and about dozens, hundreds of these people, it has somehow gained momentum, on the contrary, artistic i will only mention the meaning a composition by artem pivovavarov and klavdiya petrivna. before the house was released, the word for rent appeared, and it is at the same time such an interest, young people who listen to pivovarov, and here is an art film, and yes, tell everyone about skorupia, immediately, tell everyone about the sme beating drum of sadness in this songs, my heart was screaming, of course, geo shkorupia, well, he conveyed it brilliantly, of course, the song is... not a poem by geozh korupia, but it is important that this very idea, the very idea is taken, here you know, well, regarding, regarding this , and it's popularization, yes just before that there was a project that was done about poets, writers of the rostliberal renaissance, unfort

apartment of the writer and journalist petro lisovoy, opposite the door of the apartment of mykhailo semenkosecond floor above us lived our sworn enemies, ivan mykytenko lived in that entrance, there the critic volodymyr koryak, a proletarian critic who oppressed them all and especially disliked mykhailo semenko, simply beat valeriyan polishchuk at one of the parties. polishchuk covered his head with his hands and sat and endured it, that is, the people were very different, of different political and literary orientation, but they were aware that they were all writers, they were artists, by the way, by the way, it should be remembered that not only writers lived in the house of the word, les kurbas, he is in the film, and artists also lived there, anatol petrytskyi, vadim meller, there were many actors there, because this one... that is, it was the kind of house in which the creative creative bohemian and petro lisovyi - this is the pseudonym of the writer, his real name is svashenko, and his brother semyon - gathered. an actor, a star of dovzhenko's arsenal, that is, it is obvious that in t

yes, he became a ukrainian futurist and went to mykhailo semenko in kharkiv, because he threw the samefilm factory on yanovsk, he went to kharkiv, became a futurist, wrote futuristic poems, and then in his old age corrected them and killed this spirit of futurism, and he also wrote about himself in various critical articles futurism toyed with youth, the mistakes of youth. i already know him. at this stage, when he was already criticizing, but i also know and, i also remember and this speech is grand and simple, you hear, the trumpets have sounded, this is the time of reckoning, and it was different, certainly, we only have one minute left, and my the question is that there are two myths of two cities, russian myths, bulgakov's myth of the city, which entered kyiv and we with... now we are simply trying to somehow overcome it with a ukrainian myth, which is actually organic and true, and it is the myth of russian odesa, and this is a myth that ilfi petrov and not only them, so what do you think, is there a chance that actually at that historical point and in that catastrophe that we ar