semyon aleksandrovich tain , our famous director, he invited me, i was even bewildered, because thisult part rudolf well, he didn’t see something for you, and somehow it began to turn out rudolf went and after that me invited to our theater so we have come to the fourth decade of your life. and what was most significant during this period was a lot of work in the first place. meaningful parts crazy parts at first i thought i couldn't handle them. there are such parties as the troubadour, the degenerates of a maniac, the most complicated party with spectacular arias. one for what it's worth, but i've dealt with it. i had enough of her health, apparently weightlifting played a role. yes, and we were light. oh, a lot of work and then all the same, a series of awards went on. spain well-deserved and then the title of people, as you mentioned in one of your interviews about competition in the theater at one time, you competed with marat grigorchik. what kind of relationship between you had to be said really different, but basically, basically, they were still benevolent. i myself am not a