the director of the play, semyon serzin, aka bazarov, transferred the conflict of generations to theperestroika. his characters live in a provincial town next to the railway, a metaphor for an unstable world that is about to change. the system of relations in society was different, different, and it would be strange to reconstruct it. that's why i wanted to find it. difficult moments, my character is an allegory, it’s like childhood dreams, but this is a small little child who is inside each of us and how... which came to fundamentality, to family, to the basics, to some kind of patriarchy, to honoring parents, to everything, and opposition, nihilism. despite the reference to a specific historical era, the author does not research and analyze the past; in the mirror of the scene, there is a whole palette of conflicts, not only of fathers and children, but also of personality, its integrity, and of course, love. sofia, nikita korneev, artyom davidov, news! the head coach, a yugoslav specialist, has changed in the russian men's handball team velamir petkovich left this position, lev vo

the director of the play, semyon serzin, aka bazarov, moved the generational conflict into the era of live in a provincial town next to the railway, a metaphor for an unstable world that is about to change. the system of relations in society was different, different and... to reconstruct it would be strange, so i wanted to find some time, but for me, well, as for i understand the person who was born during perestroika, all the same, that i grew up from there, and i tried to identify some parallels, that’s probably why it was possible to do it about today, love, zhenya, nihilism does not exclude love, odentsova's sister also does not look like the typical turgenev girls, katya in a daring way of screaming... the stands at the diving pool in the water sports palace are full. on a ten-meter platform, the most desperate athletes igor brix are diving. before the start of the competition athletes cover themselves with shaving cream, but no one intends to shave. shaving cream usually just removes all the dirt and the grouping becomes really dense. during the week of competition, the brix gam

the director of the play, semyon serzin, aka bazarov, transferred the conflict of generations to theeroes live in a provincial town next to the railway, a metaphor for an unstable world that is about to change. the system of relations in society was different, different, and reconstructing it would be strange, so i wanted to find some time, but for me, well, as a person who was born during perestroika. i understand everything. that i grew up from there, and well, i tried to identify some parallels, that’s probably why it was like this, we could do it about today, love, zhenya, nihilism does not exclude love, sister odentsova is also not like the typical turgenev's girls, katya, in the daring image of the flashy eighties, is desperately looking for love, anna, on the contrary, closes herself off from feelings, fearing that they will destroy her established life. they meet, they immediately read that, firstly, they are very similar, secondly, they are both very strong, and smart and manipulative in some ways, therefore, when such people meet, there are two ways, either work on yourself

, but we will not build, because we must only break, break and break, the director of the play semyon serzin generations to the era of perestroika, his characters live in a provincial town next to the railway, a metaphor for the unstable a world that is about to change. the system of relations in society was different, different, and to reconstruct it would be strange, so i wanted to find some time, but for me, well, as for a person who was born. in perestroika, i i understand all the same that i grew up from there, and i was trying to identify some parallels, that’s probably why it was possible to do it about today, love, zhenya, nihilism does not exclude love, adentsova’s sister is also not like typical turgenev girls, katya , in the daring image of the screaming eighties, is desperately looking for love, and anna, on the contrary, closes herself off from feelings, fearing that they will destroy her established life. when bazarov and odintsova meet, they immediately realize that, firstly, they are very similar, they, secondly, both are very strong, and smart and manipulative in some ways,

semyon serzin tried on several roles, director and author staging of the main character, and also a lightings remains of his own opinion, but this is a process. answer the question every second, is this what i want, if now life ends in a second, i want to stand here with you, if yes, then great, then everything is correct, and if not, then it’s probably necessary, change something, this is my big meaning of this performance. the summer performances of the play fathers and sons have already died down; the next time you can see this production will be in september. one morning on ntv, i’m sergei mayorov, hello, do you know why the stars burn brightly? because a fire of passions burns in their souls, and if the star has georgian roots, then the fire can be assigned the highest fifth category, this is when there is a possibility of the fire spreading to everything around. there were so many sharp changes in the life of eteri beriashvili temperatures that the character was tempered no worse than the georgian blade kama. the wonderful singer and teacher decided to tell my colleague a secret love s

the director of the play, semyon serzin, aka bazarov, transferred the conflict of generations to theracters live in a provincial town next to the railway, a metaphor for an unstable world that is about to change. the system of relations in society was different, different, and it would be strange to reconstruct it, so i wanted to find some time, but for me, well, as for a person who was born during perestroika, i understand all the same that i grew up from there, and well, i tried some... then to identify parallels, that’s probably why it’s like this, it was possible to do it about today, but to love, zhenya, nihilism does not exclude love, odentsova’s sister is also not like... some kind of struggle to get to know the hero , the director was conducting a play of a little bazaar, like a guardian angel to whom eugene turns in difficult moments. my character is an allegory, it’s like a childhood dream, but this is a small little child who is inside each of us, and like an angel, like an angel of love. in verbal duels with pavel petrovich, everything falls under the disgrace of criticis