this film with such excitement that from the first scenes he outplayed the sublime and sedate sergei koltakov came off, and i went to my people, he’s coming, hello, i say, how are you, ivan bortnik, she’s amazing... responsibility for work, rehearsals, and seryozha koltakov, he’s just a little bit, just a little bit he was imposing before we, well , where can i say, well, we’re also filming there, remember, the meeting on the elbe, upset me a little, because he’s an actor with an incredible range, let’s go, from comedic to tragic, he’s wonderful such an actor, wonderful, underplayed. this was his conclusion and he absolutely turned on a different speed. the material of the painting required a scrupulous reproduction of the bygone post-war era. of course, these are costumes, interior items, precise details, so that no one can accuse that the past is shown somehow not right. and you will notice that in the whole picture there is no lie in anything. everything is real, everything is true, everything is very precise, everything is very precise with sorrow, and with attention, with regret. and mos

it, but it turned out that he really looked like his partner in the mirror for the hero, actor sergei koltakov