section curator sergei mirashnichenko spoke with ivan kudryavtsev about the films of the documentary alentinovich, how do you like the audience at this , how do you like the audience, you always very closely monitor the mood of the viewer, how it changes, what is happening to the viewer of non-fiction films today? well, the viewer changes. to make it clear, after all, his upbringing gaming, uh, gaming works, it now forces the viewer. to perceive everything only the dynamics of the narrative, semantic things often go away, nuances, in feature films, ours there are already fewer such big acting scenes when a person has to give his all, he has to quickly shout something, run something, somewhere, somewhere to catch up with someone, and this affects the audience in general, they need everything more dynamic, the pictures need... everything needs to be presented more dynamically, everything needs to be more dynamic, but the viewer goes, goes, i think that he now needs cinema is like a documentary, they look for something in a documentary that is not in art cinema, and i think that this is