he knew life perfectly well without any... filming is often quite empty pictures like sergei polenaevich gerasimov’s he wrote that filming there took away 10, or even 15 stories from russian literature, considering that lakeside was a two-part series, well, at least the state prize was given to the girls in the open air, however, still there was some injustice in this, as i already said. especially in the malicious phrase that shukshin worked off corvee for the cinema of velmozh bondarchuk. the meeting with bonddarchuk largely determined the last years of vasil makarovich, and that powerful nail in his miraculous monument, frankly speaking, was hammered with the participation sergei fedorovich. the fact is that vasil mokarich dreamed of directing a picture all his life. “i came to give you freedom,” which began with anaferazin, from all the church pulpits of the russian empire, there was such a moment in shukhshin’s attitude towards the church, usually still very restrained, respectful, but he never forgot the anathema to razin, his attitude towards the church was difficult, like however, to everyth