the jury, chaired by sergei ursulik, now the floor is up to the audience.at is already in the cinema. pavilions of the mosfilm film concern are shooting a story about the inhabitants of the legendary trickery of the most criminal district of moscow at the beginning of the 20th century. today it may seem like fantasy to a trickster, but this is a historical fact that formed the basis of karen shakhnazarov’s new painting, khitrovka, the charm of vice, as you know, when stanislavsky nemirovich-danchenko, well, together with stanislavsky , they worked on plays at the bottom of gorky, they seemed to knowledge of real life was asked by guilyorovsky's chevolah to lead the famous khitrovka through the slums of moscow, which, of course, gilyarovsky knew very well. i can say a historian and left wonderful stories for us moscow and muscovites from moscow until that time there was little left, and therefore the atmosphere of moscow streets was again called upon to fulfill the scenery of old moscow at mosfilm, as well as brick tunnels hidden in the underground collector

the jury, chaired by sergei ursulik, now the floor is up to the audience.at is already in the cinema. pavilions of the mosfilm film concern are shooting a story about the inhabitants of the legendary cunning of the most criminal district of moscow at the beginning of the 20th century, a historical detective story in which the intertwined plots of gilyarovsky and conan doyle are shot by karen himself nazarovsky's step back, at the very bottom of moscow life on a cunning today it may seem fantastic, but this is a historical fact that formed the basis of the new picture of karen, shakhnazarov, khitrovka is the charm of vice, as you know, when stanislavsky 100 nemirovich-danchenko, well, for a month stanislavsky worked on the play at the bottom of gorky, they, as if for the knowledge of real life, asked gilyarovsky to walk around the famous moscow slum a trick that the cache gilyarovsky knew perfectly well . i can say a historian and left wonderful stories for us moscow and muscovites. there is not much left of moscow of this time, and therefore the atmosphere

the jury, chaired by sergei ursulik, now the floor is up to the audience.ready in the cinema. the pavilions of the mosfilm film concern are filming a story about the inhabitants of the legendary cunning in the most criminal district of moscow at the beginning of the 20th century. a historical detective story in which the plots of gilyarovsky and conan doyle are intertwined is filmed by karen nazarovsky himself, at the very bottom of moscow life on a cunning today it may seem fantastic, but it is historical fact, which formed the basis of the new picture of karen shagazarov, cunning, and the charm of vice, as you know, when stanislavsky 100 nemirovich-danchenko. well, together with stanislavsky , they worked on the play at the bottom of gorky, they, as if for the knowledge of real life, asked gilyarovsky to take the famous khitrovka around the slum of moscow, which gilyarovsky knew perfectly well . i can say a historian and left wonderful stories for us moscow and muscovites. there is little left of moscow of this time, and therefore the atmosphere of moscow

here is vera alentova andrey kuzichev alexander ursulik sergey lazarev and other friends of colleaguesvgeny pisareva soon in the project once upon a time big people big stories i am sergey mayorov see you on ntv happily hello, good afternoon. this is our own game we continue our tournament, which is called the games of the golden nine. and today we have the final game of the fifth stage of the golden nine games in 2022. very strong players are playing today. i am pleased to introduce you to the participants of today's game at the first game table dmitry koryakin, a programmer from equality. at the central game table he is also the second game table evgeny kulyukov journalist from ulyanovsk and at the third game table yury khoshimov lawyer, moscow it 's time to pay attention to our main monitor. here they are the topics of our today's game book world cathedrals churches, islands merchants music watches, everything as always, the most wonderful topic for you dear players for you, dear viewers, we are starting the first round of educational institutions and bridges. cubic houses of fugers

ah, and i really liked the phrase of sergei vladimirovich ursulik. to play good people, but because a good person is generally difficult to play. here you can play a villain, but a good person, you probably need to be somewhere in order for this to be relayed through the screen and the audience to believe in you. and in you, and then already there in the role that you play, and this meeting with seryozha in a white studio, and then we met with him many more times and the last time. i just remember that moment well, it was the premiere of the film. i don't remember what kind of october it was in the cinema. just today, anton, i wish with all my heart hmm success to the wonderful picture that you made with sergei a at that premiere. you know, as usual people are talking on the example, just some kind of tar, as if silent, but a small secular conversation, and at the same time the person looks over their heads, what is happening around seryozha suddenly began to talk to me about some incredible deep, but important things. and it was so you know, it just