cranes by pablo picasso picasso was in complete admiration, and there is a wonderful diary of sergei urusevcameraman of this film, who, of course, did not speak french, but he describes how they went to picasso's home, how someone gave him some his work, as he called the real urussi artist. that is, he appreciated this visual component of the pictorial component, and of the soviet film. here we need to remember that during the cold war, the world festival of youth and students arose and, uh, one of these festivals take place in berlin and the consequences of this tradition extend to many different countries. and including in the fifty- seventh year, it reaches the soviet union , where it is already breaking loose everywhere. so you can say where they are actively interested in what is happening abroad in the west, where a new generation of soviet youth appears, which wants to be an open world. and such a point for many is the seventh year, when the council of the union comes from very many countries, not only the socialist but also capitalist students are cultural figures to share some idea