sadness is too much in the mid-seventies , with the collaboration of haj sadegh ahangaran and seyyed mohammad mirzmani, the composer of the atsh and atash album, some episodes about karbala were created, some of which became famous. this year, he was worried that he would get into music, that there would be criticism , of course, but over time, they also realized that this link was correct and a very good communication bridge was established between the artistic religious music group and the national music house. o god, it is raining in karbala, wait for us let's go to atsh and atash album with poems by abolqasem hosseinjani, qaisar aminpour, hassan ali babai, muhammad ali, math, yazdi, shirazi, and saif farghani, born in 1973, in the film "the day of the event" directed by shahram asadi, majid tazami confronted the audience with a bold piece of music. the real, the real, which is finished, and here we realize that if we have an effective artist and look at the fact that the work is very dependent on the effect , we don't need to have been there for that period of time . being this is instilled in me

in the mid-seventies, with the cooperation of haj sadiq ahangaran and seyyed mohammad mirzmani, the composere atsh and atash album was formed with some pieces. about karbala, some of them became famous so that we can go to karbala, it is waiting for us let's go music, which somehow links itself with praise and this is my new heart, the singers were worried about entering the music, what kind of criticism will be of course, but over time they also realized that this connection was correct and a very good bridge of communication. religious music, art, national music, god, karbala is waiting for us, come and let's go. fire and atash album with poems by abolqasem hosseinjani, qaisar aminpour, hassan ali, babai, mohammad ali, math, yazdi, davari shirazi and saif farghani during the year 1973 in the movie rooz akadeh. directed by shahram esadi, majid tazami confronted the audience with a bold music, rooz the event as a person only felt the soundtrack of a real event that has finished and here he realizes that if the artist is effective and we look at the fact that the effect is very dependent on h

jamia haftad was formed with the cooperation of haj sadiq ahangaran and seyyed mohammad mirzmani, the composer of the atsh and atash album , with songs about karbala, some of which became famous. if the music is good, there will be reviews, of course, but over time, they also realized it that this is the right connection and a very good bridge between the artistic religious music group and the national music house, and karbala is waiting for us. come and let's go. atash atash album with poems by abulqasem hosseinjani qaisar aminpour hassan ali bai mohammad ali math yazdi davari shirazi and saif ferghani born in 1973, in the film rooz yakeh , directed by shahram esadi, majid tazami confronted the audience with a bold piece of music. let's keep in mind that the effect is very dependent on the effect, it is not necessary to be distant it is something that has been instilled in me since i was a child, since i was born, being a mother, this avalanche, and what do i do to imam hossein, do you want to grow up ? for imam hussain, who is no different from all the mindsets of the people, let's

am his soul mate, in the mid-seventies, with the collaboration of haj sadiq ahangaran and seyyed mohammad mirzmani, the composer, the album atsh wa atash was formed with pieces about karbala, some of which became famous. music that somehow links itself with madahi, and this is my heart, the new music composers were worried about what criticism would be brought to the music , of course, but over time they also realized that this connection was correct and a very good bridge of communication between religious and artistic music and the house of national music was established. let's go to karbala, wait for us, let's go, atash and atash album with poems by abolqasem hosseinjani, qaisar aminpour, hassan ali, babai, muhammad ali math, a shirazi and saif ferghani judgement. it was produced in the movie rooz akadeh, directed by shahram asadi majid tazami , and faced the audience with a bold one. the day of the event as people only soundtrack one he has finished the real event and here he realizes that if the artist is effective and we look at the fact that the effect is very dependent on his effectiveness