about the treatment by juana lisa and e manuel montoya in boarding area g level throw at sfo international terminal g. the conservation treatment include removal of particles from the mural and hand carved wooden sculptors consolidation of the powder pigment. stabilization of the surfancy-schmancy filling crack in areas of plasticer lost and final color of the filled areas. this is a good example.filling plasticer lost and final color of the filled areas. this is a good example. there are amadzing piece of art and after years of it being in sf airport, where it will be exposed different temperatures and atmospheres and foggy and hot days. it does affect the art. how do weace care takeers make sure this we are going to make sure it lasts. and this piece is beautiful for so many reasons. it also is called upon our local community. put people in the sculptor that are part of san francisco's history and her own experience. including there was a baby diego rivera with a paint brush in there. for emanuel this was his first venture to 3d art how staff is amazing at working with artists who pull them out of