shah rukh khan the brand is an international phenomenon, has shah rukh khan the brand become bigger thanng a brand, it wasn't a conscious decision doing things that would lead to something. i think that happens now in more modern times, or at least in india in modern times, where imagery is created by management. i've never taken things so intricately. i've just done things that i feel. and more often than not it has gone right, but i don't know how to do it right again. but, yeah, it does get out of control. sometimes even the simplest of things said, or the simplest of actions, can seem to trouble people. and that's a little shocking to me, and sometimes has made me a little more wary of what i should do, where i should do, how i should do, and when i should do. there's absolutely crowds and swarms of people that stand outside your house at the weekend. every time you land at a different airport, there's paparazzi waiting for you. is it not tiring, after a point? it's not tiring, it's not irritating, it can get a little... the people i spend my personal time with, which is family, they

i'd also like to include a shout out for bollywood legend shah rukh khan, who brilliantly handles theedy, fanis a roller—coaster ride, built on not one but two great performances by shah rukh khan, no wonder he is one of the world's most popular movie stars. 2016 was also the year we lost some great stars, from gene wilder, star of timeless classics like blazing saddles and young frankenstein, to alan rickman, who worked wonders both behind and in front of the camera, to david bowie, whose man who fell to earth got a poignant big—screen rerelease in june. other significant re—issues include the 30th anniversary outing for david lynch's blue velvet and a big—screen rerelease of in the heat of the night as part of the bfi's black star season, celebrating the range, versatility and power of black actors. perhaps the most remarkable return of 2016 was of napoleon, abel gance‘s silent masterpiece from 1927, back on our screens with a magnificent score by carl davis. seen in its most complete form, this reissue was the result of decades of research and restoration work, and what a glorious