a religion from the day of the event by shahram esadi , dealing with the truth in the chain of idealistic cinema the problems of the islamic world in the film bazamande directed by saifullah were brought up in 1374 by ahmadreza darvish with the film kimia paveh of the revolution , man disa masir holy path was the name of the biggest project of iranian cinema in a religious sense, a poem that the leader of the revolution appeared behind the scenes of. and giving encouragement to its agents in the 80s with seyyed reza mirkarimi's film "zeer noor mah to khondi" far far far far near " by watching his films chashat bismillah rahman al rahim, homayoun asadian, the producer of the film gold and copper in this decade is one of them. the category of filmmakers to follow presenting valuable concepts from a new perspective of loving for the sake of god, what god loves, you also love that there were many ups and downs in the holy defense cinema in the 80s, but there were still directors who kept the iranian flag high by addressing this category , including this one. the movie "expulsions" made by mas

iran's committed cinema there were works with a religious theme, from the day of events made by shahram esadi to the reality in chains to the idealistic cinema and dealing with the issues of the islamic world in the movie surviving, directed by saifullah dad bruce , and ahmadreza darvish in 1374 with the film kimia and pa beh cinema revolution. let me sacrifice the holy path was the name of iran's greatest cinema project in a religious sense , congratulating the leader of the revolution, he appeared behind the scenes and encouraging its agents. i call a person to watch his movies rahman al-rahim, homayoun asadian, the producer of gold and copper in this decade, is one of those filmmakers who seek to present valuable concepts through the lens of the oil of love. but there were still directors who kept the iranian flag high by dealing with this category, including this film "the expulsions" made by masoud dehnamaki, the fourth decade of the revolution with mohammad rasulullah, the most important movie screen , directed by majid majidi, started the religious film that the leader of the revolutio

the incident made by shahram esadi deals with the truth in the chain of idealistic cinema in 1374, with film kimia pabeh, the film of the revolution , sam sir moghaddis, the name of the biggest project of iranian cinema in the religious sense, was the way the leader of the revolution appeared behind the scenes and to its factors were encouraging in the eighties seyyed reza mirkarimi's games under the moonlight you read too far too close to a new sugar from dealing with human issues to watch his films cheshat bismillah rahman raheem the film gold and copper is one of those filmmakers looking for presenting valuable concepts through a lens for god's sake, who does god love, you should also love that there were many ups and downs in the holy defense cinema in the 80s, but there were still directors who kept the iranian flag high by dealing with this category, including this film by masoud. the fourth decade of the revolution with muhammad rasulullah was the most important film project directed by majid majidi. the religious film that the leader of the revolution played behind the scenes to

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of the sky. " iran was one of the works with a saddle theme from the day of the event made by shahram esadie reality in the chain of idealist cinema and dealing with the issues of the islamic world in the movie surviving, directed by saifullah dad borujard ahmedreza darwish in 1374 with the film kimia pabe, a cinematic revolution by mandi sam seir. maryam magdas is the name of the biggest project of iranian cinema it was a religious concept that the leader of the revolution appeared behind the scenes and encouraged its agents . in the 1980s, seyyed reza mirkarimi, with his films under the moonlight , far far far far near , presented a new sugar cube to the audience of his films, in the name of allah. rahman al-rahim, homayoun asadian, the producer of gold and copper in this decade, is one of those filmmakers who sought to present valuable concepts through the lens of oil, to love for god's sake, what god loves, you should also love the holy defense cinema in the 80s, but there were still directors who dealt with this the iranian flag was held high category, including this film "the expulsio