>> ready. >> "the father," >> "judas and the black messiah," shaka king, charles d. ashley fox, emerald fennell and josie mcnamara producers. >> "sound of metal," burt hamelinck and sacha baron cohen producers. >> and lastly, "the trial of the chicago 7," mark plat and stuart besser, producers. i'm strategizing my oscars pool. congratulations to all these incredible nominees. >> wow. what a year, and thank you for joining us, and watch the oscars live on sunday, april 25th only on abc. >> bye. >> bye. >> all right. great job right there announcing that, and chris and elizabeth, we want to get your first thoughts on this year's nominees. elizabeth, what do you think? >> we did get two women that were nominated in the category of best director, and as chris predicted we did make history there. also potential history going to be made because in the best actress category, we have both andra day and viola davis no, ma'am naominated. believe it or not, there has not been a black woman who has won in this category since halle berry was the first back in 2002 for "monster's

will berson and shaka king. story by will berson, shaka king, kenny lucas and keith lucas. minari, lee eisenach chung. promising young woman, emerald finell. sound of metal, darrius martar and abraham martar. story, by darius matar. and, the trial of the chicago seven, aaron sorkin. >> aaron sorkin, is he a newbie? i am going to announce to short- term categories. both overseen by the short films and feature animation branch. for best animated short film here are the nominees. genius. opera, if anything happens, i love you. and yes-people. best live action short film nominees are, feeling through, the letter room, present,the two distant strangers, and white eye. >> congratulations to everyone. now, the nominees for actor in a supporting role. they are, sacha baron cohen in the trial of the chicago seven. daniel kaluuya in judas and the black messiah. leslie odom jr. in one night in miami. paul raci, sound of metal. the keith stanfield, judith and the black messiah. congratulations. >> we still have more nominee announcements and will be back at 5:31 pet. >>> okay, so, i am

injudas and the black messiah, a gripping drama inspired by real events from director and co—writer shaka king's not a question of violence or nonviolence, it's a question of resistance to fascism or nonexistence within fascism! cheering. you can murder and liberate them, but you can't murder liberation! you can murder a revolutionary, but you can't murder revolution! and you can murder a freedom fighter, but you can't murder freedom! lakeith stanfield plays young car thief william o'neill, who's strong—armed into spying on black panther leader fred hampton, charismaticly portrayed by daniel kaluuya. fred hampton, charismatically portrayed by daniel kaluuya. hey! are you listening? jesse plemons is roy mitchell, a federal agent instructed by martin sheen's dracula—likej edgar hoover to bring hampton down by any means necessary. yet despite having no previous political allegiances, o'neill finds himself torn between the desire to save his own skin and his growing admiration for hampton. these ain't no terrorists. it's a credit to stanfield that he manages to keep the complexity of his character

injudas and the black messiah, a gripping drama inspired by real events from director and co—writer shaka kinguestion of resistance to fascism or nonexistence within fascism! cheering. you can murder a liberator, but you can�*t murder liberation! you can murder a revolutionary, but you can�*t murder revolution! and you can murder a freedom fighter, but you can�*t murder freedom! lakeith stanfield plays young car thief william o�*neill, who�*s strong—armed into spying on black panther leader fred hampton, charismatically portrayed by daniel kaluuya. hey! are you listening? jesse plemons is roy mitchell, a federal agent instructed by martin sheen�*s dracula—like j edgar hoover to bring hampton down by any means necessary. yet despite having no previous political allegiances, o�*neill finds himself torn between the desire to save his own skin and his growing admiration for hampton. these ain�*t no terrorists. it�*s a credit to stanfield that he manages to keep the complexities of his character alive throughout the movie, leaving us constantly wondering exactly where his loyalties lie. by contrast

director/cowriter shaka king takes us inside, floorboards to ceiling, to see up close this 1960s americanided, frequently dangerous, always unapologetic. >> i think that the general public thinks that the black panther party were storming police precincts armed, storming the capitol armed, ready to go to war with the police and forces of the state. when the truth of thenterested in feeding kids through a breakfast program, building medical clinics in impoverished neighborhoods. >> reporter: nominated for five oscars, "judas and the black messiah" making history with a team of all-black producers, breakout star kaluuya earning a nomination for best supporting actor. >> it spoke to me. chairman had words for feelings that i had. pushed me and pushed my way of thinking, genuinely the way of thinking. >> reporter: if fred hampton is the messiah, the fbi is the roman empire. >> our counterintelligence program must prevent the rise of a black messiah. >> reporter: the film's judas, bill o'neal, to get close to and ultimately betray the black panther leader in chicago. >> get good information, s

injudas and the black messiah, a gripping drama inspired by real events from director and co—writer shaka kingberator, but you can't murder liberation! you can murder a revolutionary, but you can't murder revolution! and you can murder a freedom fighter, but you can't murder freedom! lakeith stanfield plays young car thief william 0'neill, who's strong—armed into spying on black panther leader fred hampton, charismatically portrayed by daniel kaluuya. hey! are you listening? jesse plemons is roy mitchell, a federal agent instructed by martin sheen's dracula—like j edgar hoover to bring hampton down by any means necessary. yet despite having no previous political allegiances, 0'neill finds himself torn between the desire to save his own skin and his growing admiration for hampton. these ain't no terrorists. it's a credit to stanfield that he manages to keep the complexities of his character alive throughout

. >>> and we speak with golden globe award-winning actor daniel kaluuya and director shaka king about >>> that's the "cbs morning news" for this wednesday. thanks for watching. i'm anne-marie green. have a great day. . >>> live from the

shaka king and daniel kaluuya, thank you so much.oach to raising boys has failed, and the time now is to change it. "to raise a boy: classrooms, locker rooms, bedrooms, and the hidden struggles of american boyhood" is published by atri aan imprint of simon & schuster. author and "washington post" reporter emma brown says that in the wake of the me too movement she wanted to know how will i raise my son to be different. she joins us now for an interview you're seeing first on "cbs this morning." emma, good morning to you. so we talk a lot on this show about what men do to each other, to women. but we don't spend much time thinking about why men are the way they are. and this book does that. it comes along at exactly the right time. i was hoping you could begin by just telling viewers what it was you thought was missing from your parental toolkit when you looked down at your son, gus, and thought, how am i going to do this? >> well, thank you. you know, when my daughter was born three years before my son, i had such strong gut instinct

injudas and the black messiah, a gripping drama inspired by real events from director and co—writer shaka king

only shaka king's judas and the black messiah, a biopic about black panther�*s fred hampton, makes theedom! viola davis has herfourth oscar nomination for ma rainey�*s black bottom, chadwick boseman has a posthumous nomination, but the film isn't noticed in the direction, screenplay or best picture section. one night in miami, made by regina king, delivers a supporter actor nomination for leslie odom jr, playing sam cooke, but nothing for direction. what will help get a wider selection of film notice for the narratives? it is just important people watch the films because you will find gems. and instead ofjust watching the people that you know, and the directors you know and trust, instead ofjust watching that, you know, watching it all. it's significant that mank by david fincher, an old—fashioned story about hollywood, the type of film the academy has loved, still has the most nominations. but what's clear now is that in the search for gender and racial inequality, wider society will not put up with perceived injustice and hollywood has to follow. another round, a danish picture that

kudos to shaka king. if i had the oscars i'd give you the award now. how are you doing, my dude? you did something that you're proud of. >> trevor: yeah. >> everyone put everything into that. everyone put everything into that, so i'm feeling good. how are you? i like your hair. >> trevor: i'm ready to join the black panther party. >> i can see you on the front line with that. feed some kids in the breakfast program right now with that. >> trevor: oh, man, this movie, you must be tired, man. you must be running around doing press, because everyone should want to speak to you about this film "judas and the black messiah." look, daniel, you have known for a long time i'm one of your biggest fans, but there are things, even if you love lionel messy, there is still a score, you say how did you do that. that's what i feel like you do with your acting. i know how you act. i love how you act, whether "queen and slim," whether it's "get out," it doesn't matter what it is. but in this film, in "judas and the black messiah," we see a side the not just the black panther party but fred hampto

their fund of there's a donation king shaka in 1816. to 2060 now as i am living in a democratic country the people of gaza renate that looking at me as taking off or the people are off the top why because i embrace all of them and raise even that different allegiance there's a reason people treasons islamic movements limbs and islamic communities and then a different. african type of religion it's that we have in this process all those people are looking at me as their king and a different race groups are looking at me as their king and then to prove that ensuring the time off opening of pilar men out of the province that before it starts to work. i'm the only monarch in south africa that you know opens piler men's in this province and in south africa the president opens this is our parliament i bow painting the provincial parliament so all political parties they know their except for me as i am one. even and comes to violence i take action inviting all political different political parties took at. to bring our heads together and then

on cultural values with the a tie when the 1st time for opening of this day shoe in the top of king shaka so that's where you could have seen this of the people starting to come up with their own tradition and i tire and they're our family most. you have revived to many the traditions of this little tradition of that nation yet. many of these traditions others have been subject to criticism and the base case in our you have been controversial if it was such a controversy and criticism for reviving. such traditions i feel shame in sort of especially the book to read it down this little learning and keeping up with the male circumcision i feel shame and sorry for those people that have got such a feeling i'm sort of that it's it's what some of our black people you know that have courtside stings but. as far as that is concerned i don't think i would be every so many people in this country if i have never if i act some of the events how and why because of a savior in aids pandemic because if you have head please bonus or tweet to lizzie last evening of. dino on my birthday. he just mention t

. >> joining me now is grammy winner singer and song writer h.e.r., directed and written by shaka kingou. h.e.r., let me start with you. what does it mean to have your song and its message featured in this film. >> it's an honor. the minute i got the call, i was immediately excited. it was a learning process for me, but this story was so well done, by the way, but the story is such an important part of our black history, and i just wanted to add to it, and i'm just honored to be part of it. >> shaka, when people hear the term black panther, they have all kinds of ideas and associations. people probably think they know a lot about it. what did you want to teach in addition to perhaps excite or explain through your storytelling, and is this film about the black panthers or is it about the government effort to stop them at any cost? >> i think ultimately it's about both. one thing that was really important for us, you know, so many people across the globe, but especially, i think, within the united states have been just in the propaganda. they were labeled terroriststery thinkers, philoso

judas and the black messiah shaka king charles, the king and ryan coogler producers.croft and douglas urbanski produces. i mean, producer. nomadland frances mcdormand, peter spears money asher dan janvey and chloe zhao produces. promising young woman ben browning, ashley fox emerald and josie mcnamara producers. sound of metal. but and sasha ben produces. and last the trial of the chicago 7 marc platt and stuart besser producers. i'm already strategizing my oscars. pull. congratulations to all of these incredible nominees. wow, what a year and thank you for joining us. i don't know. early on sunday. april 25th. okay. now let's strategize. so my favorites. >> sound of metal was my big movie. picture. you everything like that was my favorite movie that i saw all year across the yeah. and you know, like nomadland, though, that was so good. i like that. but ask to be very specific, been recommending it because it was such a tiny movie and nothing happened and there was no script but let us know in the acting was made, but but grissom ed and sound of metal was amazing. so

shaka king, director of "judas

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panther who was fred hampton's fiancee at the time of his death, and the producer of the film, shaka kingust saw there. shaka, for people who don't know the full story of what happened on december 4, 1969, everything that led up to it, everything that came after it, what grabbed your attention about this story? >> initially what grabbed my attention about the story was the fact that i never heard anything about william o'neal, the fbi informant who infiltrated the illinois chapter and gave the fbi blueprints for the apartment. the story i heard growing up was just that, you know, fred hampton was a black panther who was shot by the cops. i didn't realize it was an intricate assassination plot that was essentially, you know, crafted by the most powerful government organization in the country. >> mother akua, gene robinson has a question for you. >> mother akua, maybe you could explain to the audience who may not know, what was it about fred hampton that made him deemed so dangerous, so potentially dangerous to the power structure in chicago, nation's largest black community, and to the nat

injudas and the black messiah, a gripping drama inspired by real events from director and co—writer shaka kingheering. you can murder a liberator, but you can't murder liberation! you can murder a revolutionary, but you can't murder revolution! and you can murder a freedom fighter, but you can't murder freedom! lakeith stanfield plays young car thief william 0'neill, who's strong—armed into spying on black panther leader fred hampton, charismatically portrayed by daniel kaluuya. hey! are you listening? jesse plemons is roy mitchell, a federal agent instructed by martin sheen's dracula—like j edgar hoover to bring hampton down by any means necessary. yet despite having no previous political allegiances, 0'neill finds himself torn between the desire to save his own skin and his growing admiration for hampton. these ain't no terrorists. it's a credit to stanfield that he manages to keep the complexities of his character alive throughout the movie, leaving us constantly wondering exactly where his loyalties lie. by contrast, kaluuya, who seems certain to earn a second oscar nomination next week, i