what goes through your mind when you're playing the shaquan what do you see what do you feel first of all i have to try to make a structure when the heavy points of the bar first of all of a single bar most likely is on the second beat sometimes it would be on the first and then the second would be passive and then the third would lead to the first. but the majority of the time the first was actually be a there was a russian of the bar before and the most important syllable would happen on the second week can you can you forget the structure for a little bit and then just just be be in the emotion of the moment was this piece to technically difficult to do that oh no everything i was talking about has been done way in advance since you were twelve since i was twelve and since last week and now. again because every time i win i try to restrict it again i would find something that i like less about what i've been doing before but once i come in the spot on the stage it's all gone. out again we also had a shot quite inspired world come your composition for percussion. for the shaquanda h

in their hand and it's a great opportunity not only with the shaquan but also when i pay for seasons by value i know that people already come. with something in their hand and this is an opportunity for music performer to sue to work with that to work with that information so they expect something to happen it's a great opportunity to make a surprise to make it be an incentive afforded to twist the whole thing so they're kind of waking up and hearing that piece again sent shivers up my spine with the needle and this acoustic is perfect for it because it's such an intimate setting in here with people all around you tonight what are the challenges of play it's a thirteen fourteen minute piece i mean and you get a lot of power out of this this tiny beautiful little instrument does it is it is a mandolin mandolin like spa or for sure i mean i think every instrument like every musician likes above and and you know something about the mandolin again that is that it can be very pure at the end and i think with black music is that oh it's so well written it's so pure and absolute in the way

nine all i know is that shaquan got to the door. given. 24 years life without parole, he has to serve the 24 years before he can come out and the judge says he has to be ona come out and the judge says he has to be on a licence when he comes out. but he showed no remorse. nor his mum. she was shouting in court, isa lie, his mum. she was shouting in court, is a lie, it's a lie. and i'm going to appeal, she said. she did appeal straight after. and then i went into court, the trial was the april, she put in the appeal and we have the appeal, no december one 2016. i went iwent on i went on my own. two friends came along. they had it via video link. his behaviour was horrible.” along. they had it via video link. his behaviour was horrible. i want to ask you if you want to say it has got to stop now, no more. no more, it has to stop. it is horrible. the paini it has to stop. it is horrible. the pain i feel. this is why i am trying my best and i am not going to stop, lam going my best and i am not going to stop, i am going to carry on with