, i don’t stop anyone, who at first treats us well, and then says: but we want to go to the shchepkinsky schooletermines for himself. our destiny, and since we have a graft of the vakhtangov theater, our theater exists only due to, or in spite of, the fact that during all these... long years, our theater, when it doubled, tripled, other theaters split in two, became upset, but we never we didn’t share, when we tried to stick to the same school, even when a very famous artist came to etush and said that i want to teach with you, he said great, come work for us, but only i would like to change the school, he said: oh, no, you will work for us according to the school that we studied, which we received from...

t stop anyone, who. .. at first they treat us well, and then they say: we want to go to the shchepkinsky schoola graft of the vakhtangov theater, our theater exists only due to, or in spite of, the fact that for all these long years our the theater, when it doubled, tripled, other theaters split in two, were upset, but we never... at least as much as possible, because it’s easy to destroy, difficult to create. boris nikolaevich, what would you say? i would definitely say, and i say, when they come, think about it, do you need it, if you are ready, even with great talent, today you will have a hamlet, and tomorrow you will have a second gravedigger, are you ready to play not a hamlet, second gravedigger, if you're ready, then... yes, you can then, so to speak, for the rest of your life, associate yourself with the scenes, with the theater, with intrigues, with the fact that you will not have roles for some time, for some time you will have less money than your neighbor in the dressing room, roles in cinema, and so on further, if you adore this smell of the backstage, then you should say, yes, if

to the shchepkin institute, who first treat us well, and then they say: we want to go to the shchepkinsky school exists only due to, or in spite of, the fact that over all these long years our theater, when other theaters there doubled, tripled, bifurcated, were upset, but we never shared, when we tried to stick to the same school, even like... when a very famous artist came to etush and said that i want to teach you, he said: great, come work for us, but only i would like change school, he said: oh, no, you will work with us according to the school according to which we, which we received from the hands of vakhtangov and which boris evgenievich zakhava developed, is excellent, and we keep this school, we keep it, we try, in any case, as much as possible , as much as possible, because it is easy to destroy, difficult to create. developing them and living in this small but differently existing collective, a kind of unity with our own problems and, but here we stand and hold on, and we have been holding on in our school for more than 200 years. we are in this sense, and in our this year is 110 yea

, one might say, they invited her, she was a student at the shchepkinsky, in my opinion, shchepkinsky, and schools episode, yes, these scenes were already filmed in the pavilion, that is, it was assumed that the film will be made. in the summer of sixty-three , everything was done on location as much as possible, but they still climbed into the fall, autumn is beginning, they are already enduring it little by little, little by little, they filmed the pavilion then, this would be now, this is what you are broadcasting, this is the current logic, this would be the case now producers acted, then they calmly filmed in pavilions, you need a pavilion, build a pavilion, there was no problem with that, so... in my opinion, all these pavilions, they were registered in advance, i don’t remember that they were looking for some full-scale scenery, no, all this was filmed in advance, well, no, it’s supposed to be gorky park, but it’s already cold, because the scenes are in the evening and therefore they are transferred to the pavilion, no, so in general this is not a reason for film production, because it’s c

, one might say, they invited her, she was a student at the shchepkinsky, in my opinion, shchepkinsky, and schoolld be shot in the summer of sixty-three, everything would be on location as much as possible, but they still went into the fall, the fall is beginning and it’s already moving forward little by little. this is the current logic, this is what they would do now producers, then they calmly filmed in pavilions, they had to build a pavilion, there was no problem with that, in my opinion, all these pavilions were prescribed in advance, i don’t remember that they were looking for some kind of natural scenery, no, all that.. . was filmed in advance, no, it is supposed to be gorky park, but it’s already cold, because the scenes are in the evening and therefore they are transferred to the pavilion, no, so in general this is not a reason for film production, because it’s cold, this is generally only a film vet or a film critic can come up with something like this, but the artists are all freezing, yes, but look, the final scene in the metro was always not in the script, it wasn’t, and there are di

reputation, one might say, they invited her, she was a student at shchepkinsky, in my opinion, shchepkinsky, and the schoole shot in the summer of sixty-three, as much as possible everything was in real life, but still they climbed onto autumn, autumn is beginning, they are already moving it little by little, little by little to... no, it’s supposed to be gorky park there, but it’s already cold, because the scenes are in the evening and that’s why they’re moving it to the pavilion, no, so this is not a reason for film production at all, because it’s cold, this is generally just a film review or a film critic can you come up with something like this, and the actors are all freezing, yes, but look, the final scene in the subway was always not in the script either, it wasn’t, and there are different versions, in fact, how should it end, where should they be? you can say that after this film you woke up famous, that they began to recognize you on the streets, some kind of recognition came to the profession, no, no, firstly, when the picture, when it began to be shown in art houses, in this circle, in circle of

reputation, one might say, they invited her, she was a student of shchepkinsky, in my opinion, shchepkinsky and the schoolavilion, build a pavilion, there was no problem with that, in my opinion these are all pavilions, they were prescribed in advance, i don’t remember that they were looking for some kind of natural scenery, no, all this was filmed in advance, no, it is supposed to be gorky park, but it’s already cold. busy, we are together again with those who love good music with all my heart, lilac fog, volodya, well, you hooked me so much that i swam, just don’t fall for friendship, singing swing in russian is another task, you know, the gears don’t always match, you were still a cop’s boss , there is no hearing, no mind. three chords, new season, tomorrow after the evening news. the snow is still white in the fields, but the waters are already thin. in the spring they make noise, they run, they wake up the sleepy shore, they run, they sparkle and scream, they shout in all directions, spring is coming, spring is coming, we are the young hans of spring, she sent us ahead, that, where, when is the sprin

institute, i don’t stop anyone, who at first do good to us, and then says: but we want to go to the shchepkinsky schoolgo, because each person determines his own destiny, and since we have a graft in the akhtangov theater, our theater exists only due to or in spite of the fact that over all these long years our theater, when other theaters doubled and tripled there. and we preserve this school, we maintain it, we try, in any case, as much as possible, because it is easy to destroy, difficult to create. boris nikolaevich, what would you say? but i would certainly say and say, when it comes, think about it, do you need it, if you are ready, even with great talent, today you will have hamlet, and tomorrow you will have a second gravedigger, are you ready? you are not playing hamlet, the second gravedigger, but if you are ready, then yes, then you can, so to speak, for the rest of your life, associate yourself with the scenes, with the theater, with intrigues, with the fact that you will not have for some time roles, for some time there will be less money than your neighbor in the dressing room, roles cine