always is, this one here introductory and i was taken by their gitis in both shchepkinskaya and shchukinskayaer and parents finished gitis. and they told me they listened, but still, gitis is an institute of theatrical art. and this school, but still, somehow i went down yuri, and there are rumors that anatoly didn’t really like the youth of young artists. hmm but somehow he immediately got into you, what kind of situation was he loved those who were sick of the theater, and not so easily came, and so to speak took off, but really the first meeting was unique. i have already worked for a year in the theater and this was my the first season already had 32-34 performances, all masks, and then there were total extras and six, probably, i had such serious roles. and so i get to the rehearsal running. dakov. i was appointed to the role of golubkov and anton rehearsals it's hot in summer, and they really told me papanov doesn't like young people. and since we did not meet with him at work. i, well, there i ran to the extras and suddenly doves and we have scenes with him in sevastopol , which means

you have to take the money to get to shchukinskaya, go to the odd side of marshal vasilevsky go down13, and then, and then wait. understood. only 13 hours for marshal vasilevsky. well, judging by the beacon, maleev is still at home. you know what i think, i think you and i should split up. i’m going to walk to vasilevsky here, in principle , i won’t get far in a few minutes, and mukha and i will wait for maleya, perhaps safronov wants to get money, then maleev personally approaches him. in general, i think, since, you know what, i think that, uh, they will try to skip the operation that i managed last time so simply to distract complex conditions, not back and forth, but in fact they will simply snatch the money and try. i'm all in, let's go. and consider the twentieth window. well, next to the wall of the house to find a package. found to put him money to leave, and oats. well , i understand, i understand. i will do everything. we were deceived by money from him, he now, most likely, went to a meeting. the phone is switched off or out of network coverage. this is my phone, i threw i

as it always is , this entrance exam, and uh, they took me to gitis, and to shchepkinskoe and shchukinskayay parents finished gitis. and they told me they listened, but still gates - this is an institute of theatrical art. and this is a school, but still, somehow i went to it, yuri, and there are rumors that anatoly did not really like the youth of young artists. uh, well, somehow he immediately imbued you. what kind of situation is there. he was fond of those who are sick of the theater, but they didn’t come so easily, and so to speak took off, but really the first meeting was unique. i already worked. here in the theater and this was my first season already 32-34 performances of all bridges, and then there were total extras and six, probably, i had such serious roles. and now i get to the rehearsal of bulgakov's run. i was appointed to the role of golubkov a anatolyevich ludov. rehearsals it's hot in summer, and they really told me papanov doesn't like the youth. and since we didn’t meet like that at work, i ran one extra crowd there. and suddenly golubkov and we have a scene with him in

did not understand how i entered gitis from the side of the fortieth school, and also swung at shchukinskayaof 1. he didn’t understand, he didn’t realize how it happened, because there he is yes, uh, a man who didn’t even hold a book in his hands, well, figuratively, yes, and he went and entered the first time, when he already began to see me on tv. he's very, well, i can't afford to look zealous . but, probably, something didn’t suit him, maybe it doesn’t suit me either. yes, but i had the opportunity to show, so let's say my arsenal at that time i did it, then, as it seems to me, before leaving this life. let's say it already. uh, gave a thumbs up, right here. this fine line is important, when for some time dad was ashamed of you on stage, and then the neighbors became a little proud of you. uh, the people who surrounded him on the street, when he came out, they came up and said in york they saw yours. listen well, well done, the guy is growing up already on the stage about growing up. it probably happened relatively recently. these are my feelings. i today i'm rewinding the tape a little

entrance and they took me to gitis, both in shchepkinskaya and shchukinskaya, but in gitis exams wered gitis, and they told me listened, but still children from this institute of theatrical art. and this is a school, but still, somehow i went to the children of yuri ah, there are rumors that anatoly did not really like the youth of young artists. e, but somehow he immediately imbued you with what kind of situation this was. he loved those who were sick of the theatre, but they didn’t come so easily, and took off, so to speak, but indeed the first meeting was unique. i have already worked for a year in the theater and it was my first season for 32-34 performances, all extras and then there were total extras and six, probably, i had such serious roles. and here i am at the begalkovo rehearsal. uh, i was appointed to the role of golubkov a anatolyevich ludov. rehearsals it's hot in the summer, and they really told me papanov doesn't like young people. and since we didn’t meet like that at work, and i ran one extra crowd there, and suddenly there were doves and we had scenes with him in s