shchusev was impatient with authorship.oscow hotel, starting the meirhold theater, and am involved, together with my groups of architects, in developing the construction of the smolenskaya and rostovskaya embankment residential complex with a total length of 2 km. you can even see when he arrives at a construction site, with what speed... with what efficiency they start drawings and ideas appear, that is, it is clear that he can organize the process. the building was designed as unique, for each series of rooms i developed its own furniture, there are sketches, furniture and everything, that is, the furniture was drawn, all the so-called lighting fixtures, that is, all the chandeliers, all the lamps, table lamps, moreover, there are even draft drawings of inkwells . who would have thought that 2 years later shchyusev would be accused of nothing less than copyright theft. article in truth, primacy. yes, that is, she hit him pretty seriously. on august 30, 1937, an incriminating article was published in the newspaper. the aut

a church cannot be built by an unbeliever, so who exactly was alexey shchusev? who is he? with this, as it were , was stolen, but it was a purposeful company, as thanks to him in italy it turned out to be a piece of russia, you are now in your homeland, this is orovskaya land, and what secrets have so far been hidden in his personal file, a unique archive of shusyego that no one has seen. 1939, alexey shchusev in a luxurious convertible with a personal driver arrives to inspect the construction of the house of academicians in moscow, which is being built according to his design. that alexei once had another, different life, which the soviet academician carefully concealed; naturally, he did not write about this in his soviet autobiographies, but there is evidence that the noble assembly kishinevskoe confirms his belonging to a noble family. he was born back in 1873 in this house, and today there is a museum named after him. at that time there were no fine arts schools in chisinau; art could only be seen when artists came from st. petersburg, moscow or odessa. at the same t

leading architects of the soviet union presented their projects, whose works were heard: shchusev, mordvinovlli, semyonov, rubanenko, langbart, trachtenberg. you have to understand that not only architects took part in this, engineers took part, because this is a conversation not only about the architectural and artistic solution, but about the transport network, about the economic justification, because... everything was accepted , everything was designed in the general plan and in the capital itself. among the proposals it would seem incompatible things, classics and soviet symbols. the construction of the avenue is under special control of the country's leadership. it must embody in the appearance of buildings the best achievement of soviet architecture and symbolize the victory of socialism. but the main task had to be solved - to clear the capital of rubble and provide the construction with workers, of whom there was a catastrophic shortage. on october 8, 1944, belarusian radio reported on the mass enthusiasm that gripped literally all residents of the capital. sunday was held in minsk.

restored exhibition complex, and let me remind you, it was designed by the russian architect alexei shchusevt the beginning of the 20th century. so, so to speak, in this pavilion, from april 20 to november 24 of this year, works are exhibited. measures of fruitful cooperation between russia and one of the world's majority states clearly demonstrates our country's true commitment to cultural diversity and respect for the original art of latin america and the caribbean. basin are committed to the further progressive development of diverse cooperation with the countries of latin america and the caribbean basin, promoting the strengthening of their role in international affairs, including in the field of culture in the context of the emerging multipolarity. today, may 8, marks the 80th anniversary of the establishment of diplomatic relations between the russian federation and the republic of costa rica. this is a significant historical period, but the first contacts between. and of course, interaction in the international arena. we value the baggage of bilateral relations created by many generat

the shchusev museum of architecture was awarded for the best pr campaign, launched to promote the shchusevon with our colleagues. an incredible story: the year 5701, according to the new calendar 1941. jews from a small town, in order to escape from the nazis, buy a train and imitate their own deportation. this is not the first time director galina zaitsman has made a play based on a film script. languages ​​of cinema and theaters are completely different, different methods, different tasks, different opportunities, different ways of talking, talking with the audience, that’s why. translating a film script that has no hints of theatrical language into theatrical form is a complex and interesting task. so, the phantom train is traveling across europe, which is not on any schedule. his goal is palestine. was this really true or was the hope of salvation invented? this wall is a copy of the one in the warsaw ghetto. the main character only has this surface coal, with their help he recreates his reality. storyteller. which conveys an incredible story, either a madman or a sage, actor anton kse

stars lived in this house. nine floors is almost a skyscraper for the narrow bryusovo lane, alexey shchusevly lightening the massive building. historical drawings were ordinary, ordinary drawings, standard for the constructivist style of that time, but chyuseev decided to design this the house is already in the style of the next generation, that is, stalinist art nouveau. their apartment layout is the main feature of great artists - five-room apartments with servants' quarters, furnishings. in one of them, almost nothing has changed, nor has the atmosphere. here nikolai golovanov, conductor and composer, lived, worked, and was also a keen collector. the museum's apartment is called the small tretyakovka. originals by vereshchagin, levitan, korovin, sculptures by vrubel and, of course, antique furniture. here you see the rich stucco molding decorating the ceiling, these are the doors, vowed with bronze overlays and here is the design. the current residents of the legendary house treat the temporary inconvenience with understanding; the workers promise to finish on time in august and lower th

chief architect of moscow sergei kuznetsov opened a crystal installation in the courtyard of the shchuseving, the brightness and shades are selected by a computer algorithm, which is also responsible for sound effects, they change depending on the behavior of the spectators who are next to the installation, their movement is read by special sensors, glass bricks invented by the swiss architect gustave falconier, which gained particular popularity in the first half of the last century. not new bricks were used, but the bricks that were once in the windows. state archive of the russian federation and during the reconstruction of the building, they were simply knocked out and transferred by enthusiasts, parents for preserving the heritage to the museum, so this is a historical brick, each brick is simply a work of art, that’s each one, yes, then we are just bricks - this is some kind of mass thing that can be piled up in a heap, each has no intrinsic value, but something needs to be built from them in order to have intrinsic value, and here there is a certain depth of immersion, because yes,