was in utah and la as well, down there at the institute. >> they have another writer's retreat in sheritan, wyoming, so i spent time out there and we workshoped this in san francisco, we have done readings at the asia society in new york. each time we did a workshop, each time we did a reading, it moved the piece forward. i think in large part it has to do with working with cary pearloff, the director, but she is also an excellent dramator. she worked closely with me in terms of the writing of the material so as we went along, we were able to shape the piece as well as figure out how to stage it. it's an interesting piece in that i wrote it with a number of small themes and the choice is you either present it like a doll house, or rear view window where you have kind of a cut out and you kind of jump from one room to another, or -- and this was my preference -- to develop some kind of cinematic approach to allow for there to be a fluidity in all these separate scenes. so cary and the scenic designic, donna eastman, as well as the lighting designer jim ingles developed this idea of a turn t