nikita mikhalkov was brought to filming by gennady shpalikov.n. he met nikita quite recently. he seemed small and frail to him. on the territory of masvilin we met one of our students shchukinsky from the evening faculty and he said: what are you doing? we say, well, well, well, why, everyone, everyone, everyone understood, what? so, he says: well, come into the group, i’m walking around moscow, this is a production building, fourth floor from the elevator to the left, we came in, open up, hello , also georgy nikolaevich in that he trusted, because it was not always possible to immediately determine, yes, no, uh, i, to be honest, don’t remember that i had auditions, some of us also had some auditions, well, they just appeared organically out of thin air, and then the picture ended, he filmed it like singing a song. in general, he shot like this in principle; sensitive, compassionate lika, just in case , carried out photo tests with the new boy, although frankly speaking, there was no need for this was. lek aronna said that he was saying : well,

shpalikov , the co-author, did not want to redo it, he could not stand it.es, shpalikov was ready up to a certain point, and then he couldn’t, well, he couldn’t, he couldn’t stand it, what else is the main problem, that in general there’s a conflict the generational one was already visible at the script level. and many people noted this, and even when we read the transcripts of artistic councils, at which director sergei apolinovich gerasimov, personally with shpalikov, discussed some individual moments of this script, it was clear how difficult it was for them to find a common language, it’s just that these people do not just different generations, different decades, they just think differently, and all this, of course, later manifested itself clearly in the script, and shpalik in general was not the kind of person who could be forced it takes a long time to redo something. after all, after the second or third, again, like not to say the draft of the script, he lost all interest in the project, he could not force himself, we will see this later in further f

shpalikov , the co-author, did not want to redo it, he could not stand it.that in general the generational conflict was already visible at the level of the script, and many people noted this, and even when we read transcripts of artistic councils , at which director sergei napolenovich gerasimov personally discussed with shpalikov some individual moments of this script, it was clear how difficult it was for them to find a common language, it’s just that these are people not just of different generations, of different decades. they just think differently, and all this, of course, later manifested itself clearly in the script. shpalikov in general was not the kind of person who could be forced to redo something for a long time, after all, he was after the second third, again. like a draft script, i was already losing all interest in the project, i couldn’t force himself, we will see this later in the subsequent films of his career, so khutsiev has to finish everything alone, he is very offended by shpalikov, believes that he abandoned him, and moreover, he aba

this is a man, gennady shpalikov, he is the star of his course, they talk about him on every corner,er with zero filmography, nothing really has been filmed yet, but nevertheless shpalikov is truly a singer of the thaw era, and it is logical. firstly, the number of heroes is reduced, four friends is a little too much, they remove one, the youngest, and remove this older friend from the factory. which should represent the older wise soviet worker, this is the stamp from which the kenographers themselves began everything, but at the same time one conflict remains , which is written in the script: the main character sergei meets a girl who, as it is written, is from a good, decent family, and she has a slightly different company, not working boys, she has a prosperous family , an arranged life according to... she also has a fiancé, in the film he turns out to be an ex -husband, it seems to me that it was also palikov who brought some more modern moscow relationships at that time, and sergei the hero at some point from -for this girl, because this other environment begins to move away fr

dasha, remember, shpalikov.h, absolutely only humor . , not always understandable to people and therefore, well, this is a very tragic fate, multiplied for, so to speak, alcohol, for all the troubles of life, there were clearly two beginnings, of course. side of some divine, i would say, a very bright beginning, and there is a reflection of this beginning. he was 66 years old when he was invited to a film festival, usually closed and not very easy to get up to, this time alexey vasilyevich decided to go, at the festival he asked for a crane festival in one of the suburbs of blagoveshchensk. there was a completely deserted road, it was warm, everyone was very much in their own thoughts, and i said, lesh, sit down me, he says, no, the safest place. russia was still under construction , they managed to complete it by the premiere, the first film that was shown on its screen was the picture , i walk around moscow, and most importantly, i see through nikita, through steblovo, loktyev, through the polish galia, i see

shpalikov is truly a singer of the thaw era, and in a logical way khutsiev decides to involve him, becauseon who can tell about those people who sing, dance, have a good time about the first free generation, who brings many of his new ideas to the script by marlin khutsiev and felix meroner. firstly, the number of heroes is decreasing, four friends is a little too much, they remove one, the most... boys, she has a prosperous family, a settled life, according to the application she also has a fiance, in the film he turns out to be an ex-husband, it seems to me , that this, too, shpalik brought some more modern relations in moscow at that time, and sergei the hero at some point, because of this girl, because of this different environment, begins to move away from friends, the application left the ending open, they all get together again, but what will happen to him is unknown, but absolutely this is the story of thinking about the younger generation, about how they should live further, in general, this question is ultimately in the film in the end it sounded open, but what else did shalikov

person, an amazing man, that’s just how i come to why, listen, there is so much freedom in this film, shpalikovushenko, bulat kudzhava, that is it’s all inside, and i understand that you know, all times, they don’t care , freedom is inside you, that’s all, if you understand what true freedom is, freedom, not like you, so to speak, so to speak , you can bring some kind of blizzard there, bring a blizzard, that means a big one. no need, uh-huh, well, that’s why there are the sixties, no for no reason, freedom, okay , the sixties, they forgot the most important thing, they were cosmic, and yes, by the way, it was such an upsurge, and after the war it was only 15 years, yeah look like well, 15 and a little further there, that’s why this of course was a very interesting time, again, these two kopecks in the vending machines how we met, there’s no kopeck, there ’s nowhere to call, there’s only one soda without syrup. 3 kopecks, and 4 kopecks, if a girl stood there and poured it manually, it cost 4 kopecks, wow, and they washed the glass, and the girl said, well, there were tanks of kvass, juices, bee

for this wonderful mood , my favorite film, i walk around moscow, the poems of gennady shpalikov, whichr jury should definitely try the turtle , it's amazingly delicious cake, i know that you definitely sing at the new year’s table, yes, what song? well, we sing a lot of different songs, we can ask you to join us too, i’m ready with you, well, then we’ll ask, a christmas tree was born in the forest, it grew in the forest , it was slender and green in winter and summer. house, wow, for the new year we make shish kebab with meat, we take homemade, from friends who keep homemade pork, go ahead, let's get started, a little wider, yes, great, ready, okay, that's it, mix, carefully, i , more carefully, my grandfather lived in his entire life house with my grandmother, we always gathered with them on all holidays, it was also our tradition to fry barbecue here, in general it was my dream to have two sons, a big house, thank god everything worked out, my children, i hope, even if they are far away, they will come to me every new year, it’s beautiful, we take it, and... what does it smell like?