under these mottos the abbotniks ab'yadnannya pramen worked, and the hell lay in the hell of shteparshchytsy ramualda. recommendations, i would say so, we cannot influence the legislation of another, the legislator in another state, we can simply say that the notaries of all our countries do not seem entirely correct when, for example, there is no deadline for adoption population, this kind of interaction , again, our notaries, practitioners , in my opinion, will lead to the need for the legislator, this geography, visits to these countries, so i think that our plans will include a more in-depth analysis when visiting, for example, kazakhstan, when visiting the same uzbekistan, which i talked about today, because look, even in the cis there are states in which only today a state notary exists, in other countries there is a non-budgetary notary, in general different, different, so to speak, forms. the information picture on tuesday will be complemented by sports day. hello! victoria zarenka has successfully started the new competitive season. this morning belarus made it to the third round of the tour

these mottos, the abbotniks worked in the ab'yadnane pramen, and the hell lay there for the shteparshchytsy ramualda strok. and the hell of galina kandymavai’s friends, the hell of all the charmers who wandered around getty zen, jump in and rejoice at the purchasers. zaruka tamu, gety ganarovy henagon. gets kalektyў by Şonaram. vocal instrumental ensemble charaunitsy pachynatsya in grodna, at the myastsov palaces of textile culture. arganizava ensemble is a graduate of the grodno music school , studying clarinet, genats litynski. geta was an outstanding teacher, an arganizatar. school, it was the sixty-ninth year, or somewhere, maybe even the seventieth, i come to the textile workers’ palace, and there is the head of this women’s ensemble, ena litynsky. this lyuda mayakovskaya, who met with him, she is already his wife, she plays the drum kit in this band, and that means he offers me, geno, he says, let’s try to join our band on the keys, i was an accordianist, so he gave me a yonic , it was called a keyboard instrument, but i couldn’t make the movements, i needed it like this, like that, no, he say