sidney flanigan is autumn, a 17—year—old from pennsylvania who discovers that she can't get an abortionmetown without parental consent. quietly desperate, she travels to new york with her cousin, played by talia ryder, where these young women find themselves effectively living on the streets while waiting for the procedure that autumn was denied in pennsylvania. where's the rest of the money? the title, never rarely sometimes always, comes from the multiple—choice answers to a series of questions that autumn is asked for the procedure — questions about her health, her history, and most importantly, her safety. touching upon subjects of coercion and abuse, these questions and the responses they elicit — which include significant silences — speak volumes, not only about autumn's experiences but also about those of the many women who, for whatever reason, find themselves in a similar situation. don't you everjust wish you were a dude? all the time. with reproductive rights currently under attack in the us, hittman‘s film, which includes scenes of anti—abortion protesters, strikes a particu

sidney flanigan is autumn, a 17—year—old from pennsylvania who discovers that she can't get an abortionetly desperate, she travels to new york with her cousin, played by talia ryder, where these young women find themselves effectively living on the streets while waiting for the procedure that autumn was denied in pennsylvania. where's the rest of the money? the title, never rarely sometimes always, comes from the multiple—choice answers to a series of questions that autumn is asked for the procedure — questions about her health, her history, and most importantly, her safety. touching upon subjects of coercion and abuse,