curtains because that's exactly what his heroes are - a siegfritt dash sigurd - this is very importantuse, of course, borkhiz with his, uh, amazing erudition. he knew what a certain irresistible, not predetermined meeting with a woman meant for a scandinavian hero, because a woman is for the scandinavians. that's basically mythology. it is fate that a woman is able to change fate, so this is the mysterious ulrika who meets with sigurd. she makes him look. it’s just that the level of what you’re talking about is completely different from what you’re talking about, it’s a scoundrel. yes, when we met another name, that is, it’s like, anamka, you know, which is through a tiny death, because initiation is always a small death, an imitation of death. she forces him to take it to another level. that is right here. i love borhis so much in such aspects as an indo-europeanist, because , well, violence is understandable. european culture huh? yes, yes, yes, and he feels these indo-european mythological clichés very subtly, maybe not even always consciously, of course, because you understand this

we couldn’t resist scandinavian studies, because that’s exactly what his heroes are siegfrith and sigurd course, borkhis with his, uh, amazing erudition. he knew what it meant for a scandinavian hero. some kind of irresistible is not a predetermined meeting with a woman, because a woman is for the scandinavians. that's basically mythology. this is fate, a woman who is capable of changing fate, so this is the mysterious ulrika who is dating sigurd. she makes him look. it's just a completely different level. this is an esenica. yes it meetings. if it’s different, that is, it’s like an anamka, you know, which is through a tiny death, because initiation is always a small death, an imitation of death. she forces him to take it to another level. that is right here. i love borhis so much in these aspects as an indo-europeanist, because , well, it’s clear. he is now a european culture. yes, and he, yes, yes, yes, yes and he feels these indo-european mythological clichés very subtly, maybe not even always consciously, of course, because this do you understand exactly what i mean? that’s when i se

is fate, a woman who is capable of changing fate, so this is the mysterious ulrika who meets with sigurdlways a small death , an imitation of death. she forces him to take it to another level. that is right here. i love borhis so much in such aspects as an indo-europeanist, because, of course , they harmed european culture. yes, he is close , yes, yes, yes, yes, and he is exactly these he senses indo-european mythological clichés very subtly, maybe not even always consciously, of course, because you understand this directly from me? that’s when i see, this is the king’s sacrifice of this woman’s fate. i think, well, my good one. how nice i'm morty creed. let's talk about his personal life. he's been around all his life. you can say lonely, that is, there are some women there. i see dedications of women in different stories of different women, women were, they inspired, but mostly. yes, he lived uh rather live with your family there with your mother. moreover, we have bread. well, at the end of my life , after my mother died, when my mother let me go. yes, this is a freudian story. he mar

couldn’t resist scandinavian studies, because precisely the fact that his hero is siegfried, dash sigurd of this freudian story, he married his literary secretary, some wonderful... girls, that’s what you think, that’s him relationships with women are so strange, they somehow in his prose they reflected, how can i tell you, in my opinion he is not a love author, at all, no, he is not a love author at all, that is, for him it’s more likely that all the women in prose, well, uh, there in that jelly, yes, this is his beloved, she is already dead at the beginning, beatrice, beatrice, this is viterbo, that is, in principle, he has women in his stories, they appear as... ideas rather, oh, this is very interesting, yes, that is this is precisely the archetype of the dead lover, this is beatrice, with some of her countless past lovers, or this one ulrika, yes, the woman is destiny, who guides the hero through initiation, that is, it seems to me that all his female characters, yes, that all his female characters are not endowed with special emotionality, but endowed with power, endowed with power

mythology, this is fate, a woman is able to change fate, so it’s this mysterious ulrika who meets sigurdt himself from a completely different level, what you’re talking about is initiation, this is a meeting, there is initiation into something else, namely, that is, it is like an anaanka, you understand, which is through a tiny death, that initiation is always a small death, an imitation of death, it forces him to move to another level, then there’s something right here, i love borhis so much in such aspects as an indo-europeanist, because he, of course, is a bearer of indo-european culture, and yes, yes, yes, and he feels these very indo-european mythological clichés very subtly, maybe not even always consciously, of course, because it’s directly mine, you know, when i see this sacrifice of the king, this very one... you’re my good one, how nice, let’s talk about his personal life, he was all his life, you can’t say , lonely, that is there some women, i see dedication to women in different stories, different women, that is, there were women, they inspired, but basically , yes, he lived