and throw it on smoktunovsky. began his military journey in terrible battles on the kursk bulge, wasred, the actor miraculously escaped death, ended the war in germany without a single injury, are you strange or something, you got hit, wayaka, come on second, come on, come on, come on! according to military memories from maktunovsky, the road looked far away, it was all dark and lying. in the corpse theaters, i’m 17 years old, we have a very complex play, there are three women playing three incarnations of one person, a genius, but in such a situation, during the war, you know, i personally play and myself young, so... he got caught at the age of 17, and i play, i try to simply, i don’t know what he was like at 17 years old, i don’t know how young he was, but i try to endure, something so alive, which is generally typical, probably for many, for this year’s generation there is war. who were already barely walking there, they were simply shot already, finished shooting, it was clear that if you want to live, you have to go, and smoktunovsky walked, overcoming himself, not paying atten

smoktunovsky, luspekayev, basov, gert. gidai: we are doubly grateful to them for the world that theyh us forever, like an eternal the feat of the soviet people, you are simply alive thanks to these people, the fact that these people gave us immortal cinema, we are also alive as people, not physically, as physical bodies, and as people, we are alive thanks to them, thanks to wounded people, wounded, who gave us the brightest comedy, we exist thanks to them, we should be grateful to them forever. russia has never lived simply, obeying the natural course of events, because it has always faced a choice. either she was choosing between paganism and christianity, then she was choosing either to jump into the window cut by peter the great, or not to come close to it, but to use the open door... forgive me for the insolence, your majesty, but you are all overwhelmed by the decision, but it’s unknown , what will happen to everyone from pyotr fedorovich, but come on, he won’t give birth to a child, what then will happen to it will be the throne of russia, god forbid, it’s a sin to joke like th

socialite dreamed of going, in these unsophisticated interiors today one could meet vysotsky and smoktunovskyei torkovsky, who received unprecedented nourishment here. for the then moscow tartlets with chicken pate, sandwiches with stellate sturgeon and dumplings according to the recipe of director gerasimov. at these tables, premieres were celebrated, scripts were born and movie stars were approved for the leading role. but besides that, they could just, to put it mildly, punch you in the face. and why? the stars are to each other, because one star did not pose against his background from bertolucie and mastroiania to belmando and lalabrigida. today they are working in the cinema house. seminars, film anniversaries and premieres of young filmmakers are still held here. exactly at this hall hosted our two main premieres, the film check of labor and the painting. report from the church of the holy sepulcher in jerusalem , sergei pashkov witnessed the miracle of the descent of the holy fire. to end the war in ukraine, we must stop supplying it with weapons. in europe they know about this and ar