general there’s one phrase in the film, uh, that was born on its own, there, naturally, when vitaly solomin’sings his son. of course there is little good, but it’s better not to find it anyway, this is the feeling, perhaps, of the homeland, that’s why the word dear, it was the main thing, with yezhov it was interesting and easy to write about these... there is a film that everything happens there in russia, but not about relatives, you see, very often now i see television specials pictures where it is unclear who, although they speak russian, are not native, ukraine will be in nato, they want ukraine to be a member of nato, so that ukraine is not just not russia, but that it is anti-russia, it was clear that. there was a coup in the state, there was no power in the country, such a good situation was created in which decisions could be made in accordance with the will of the people. aksyonov stood here and said, guys, we need to block off all strategically important objects. we sent a letter to the leadership of the russian federation, we understood that we we won’t be able to control the situ

and andreichenko, especially solomin, let 's see a piece, come on, dad , the russian people have risen is carrying you, but they threw off the tsar, listen, the people are rebelling, take an ax and chop, well now this , well now... well now, well now, now we ’ll pin you down, that’s enough, now it’s time. i think quite often, here’s the great poet, rasul gamzatov, he said, i’m in dagestan, and... in the soviet union i’m a dagestan, in the world i’m russian, do you understand? and this is a very deep thought, that the world perceives people who lived in this land as russians, regardless of the fact that this is generally a person of a completely different culture, this may be what is called relatives, what is called one family. the frenchman sagan was in paris, she was on the jury then, we just happened to be next to her at the table at a reception, she said, this is what i gave you, i say, yes, i was the president of the jury, you can’t give it to russia, because that a superpower, america and russia are necessary for a european film, then there was shlendor. then she said: i will leav

the idea belonged to the legendary actor yuri solomin; he made the small theater the launching pad fori, who did you want? wolf, well done, keep at it! fedor is the smallest here, although of course he doesn’t think so. fedor is 4 years old. without a special device, he cannot hear at all, but unlike from many children with hearing impairments, speaks and, as adults would say, does not have complexes because of their characteristics, and this is all thanks to classes in the small theater. they began to note that fedya has a good ear for music, but fedya really loves music, really loves to dance, eh. here they learn to speak, communicate with each other, express emotions and fantasize. what smells? it smells like ice cream with mint and raspberries, after dana had hearing implants installed, she could barely speak, now after a theater course she is ready for ordinary school, she became liberated with us. and this project gave us an opportunity, we now got into a modeling agency, they noticed us, now she is shy, but she already says quite well, whether they will ever appear on the theatr

these were places of such souls. which was born on its own there , naturally, when the hero of vitaly solomin, son, they are standing on a huge absolutely cliff, we filmed nabi, here is your homeland, son, good , of course, not enough, but it’s still better. well, here is your homeland, son, of course there is little good, but it’s still better not to find it, this is the feeling, perhaps, of the homeland, that’s why. the word dear, it was the main thing, with yezhov it was interesting and easy to write about these people, that is, when i say, these, this these are the people who can be considered our own , russian people, you know, rozany has a wonderful phrase: a russian person will look at another with a sharp eye, everything is clear, and no words are needed. why am i saying this, these are these heroes who largely came from platonov, who, of course, wrote about these people, about the lapdogs, about some sunny madmen, and sometimes very rude, sometimes very cruel, but at the same time what, in principle, probably in my best films, i probably strived to make films about relatives, here is

yeah, somewhere here yuri solomin, a very fresh grave. people's artist, alexey boldakov. here.they talk about viktor proskurin, the image of genka lyapishev from the big change immediately pops up in my head, this is... alekseevich, but despite hundreds of different bright ones , one of victor’s calling cards of images in the cinema, it is still installed on his grave almost 4 years after his death.