fernanda solorzano, one of mexico's leading film critics, says the success of the three amigos led toa renewal of mexican cinema, t at some cost. >> ( translated ople only think of them when they think of mexico filmmakers. and there is a new generation, maybe two generations already of filmmakers that have made good movies that haven't been that commented or look, you know, they don't have that spotlight. film culture here icohriving city: we met solorzano at the sprawling cineteca nacional, a hub for mexican and international cinema, where ten theaters show films that oen can't be seen elsewhere. it's also a shrine to the rich history of filmmaking here, with facilities for delicatean restoratiodigitization, as well as archive vaults that house thousands of old film reels. it's a reminder of what's called the golden age of mexican cindma, between the 1930's a 1950's, after the bloody revolution, when the nation's film indusy produced more than 100 films a year, like fernando de fuentes' "vamonos con pancho villa," reaching audiences throughout mexico and beyond. but at big-box movie