and i thought surely sonny bono would understand that, but he didn't. and he said a pretty, um, obtuse remark, actually, about the n.e.a. he said, "i never knew anybody who received an n.e.a. grant," ergo it wasn't important. that was just silly. he didn't get around much. well, in other cases, you had people who were champions that i think most americans wouldn't think of immediately when they're thinking about, sort of, heroes of free expression. possibly the least offensive musician in america, kenny g., steps up and takes a stand for the n.e.a. can you talk a little bit about that? oh, i loved it when some of the musicians came to the hill to advocate for the national endowment for the arts. and kenny g. went to a congressman who said, "well, you know, i do believe in the arts, but i'm just not going to vote for the n.e.a." and kenny looked right at him and said, "well, that's not very courageous, is it?" it's terrific. i have to believe that taking the job on at the national endowment for the arts required a couple of strong personality traits. one