(spiegel) in india, it's called the guru-sishya parampara-- the teacher/student tradition-- where the god. my musical hero was alla rakha who i had listened to on many recordings. i had no money, but i would go and meet him and sleep on the floor of his hotel and take care of errands and help out with driving, cooking, shopping, cleaning, anything. and when he felt like it, he would teach me. these lessons were not formal. he never wrote anything down for me. in fact, i never sat in front of him with drums. he only would recite compositions to me, and i was expected to remember them and, at a later time, write them down. (das gupta) in our instrumental music, you have to gather the ability or acquire the ability of singing whatever you are playing. the teacher can say to you, "here's a theme, "gi-ni-da, da-ga-da-da, da-ga-da, kae-na-ga-da, da-ga-na-da, di-ni-di-ni-da." and then you recite back to him, gi-ni-da, da-ga-da-da, da-ga-da, kae-na-ga-da, da-ga-na-da, di-ni-di-ni-da. ♪ ah-ma-nei-za, ma-ma-nei-za, ♪ ♪ nei-pa-ba-lama-lama- ba-lama-nei-za. ♪ you have to reproduce. [plays same pi