st. petersburg academy of arts, semyon ilyeevich mikhailovsky. to this picture, it is also interesting if you compare it with future pilots, there is such an idyll, such a wonderful picture, very romantic, yes, with this aspiration in the future, age, these children are very important here, yes, although they are visible from behind, but it is clear that they are boys of different ages, he feels it very subtly and conveys it, yes, at the same time , it would seem that if this is the beginning of the thirties, yes, then the defense of sevastopol forty-second, 10 years have passed, these are the boys who will defend sevastopol from enemies, well, probably, yes, in the same crimea, therefore, i just read somewhere that denika responded so very much when it came to the great patriotic war, he responded to this the plot connected with the defense of sevastopol, that this land was very close to him, this city was very close to him, he loved it very much , so his heart responded so that... exactly this work is recognizable, it is always right here every

, this is a podcast life of wonderful people, with you i, its host, writer, alexey varlamov, my guest is an art critic, curator, academician, rector of the st. petersburg academyrepin, semyon ilyevich mikhailovsky. hello, hello, semyonevich, and we have gathered with you in order to talk about a remarkable artist, who in this. remarkable artists who have done so much for russian soviet culture, then the fate of deineka looks quite prosperous against the background of platonov's fate, yes, he lived 70 years, he achieved all possible heights, he had many exhibitions, his paintings were known to everyone during his lifetime, platonov's fate is the complete opposite, it is a tragic fate, the fate of a man who died early, whose main works were seen many years after his death, who was in conflict with the authorities... in that he was devoted to the idea of ​​building socialism, so can't we conclude that artists are generally better off in this life than writers, well, unexpectedly for me, here is a comparison of denika with platonov, yes, a combination, yes, that is, i somehow about this, to be honest, i never thought about it, this is the first time now it’s quite

st. petersburg academy of arts viktor schroeter. almost completely preserved in its original form. still a guide to the history of architectural styles. everything is thought out here christian. the owners of the estate were believers. therefore, in one of the rooms of the country estate there was a house kopitsa. the day of the owners of the mansion began with prayer, and ended with it. all exhibits of the eighteenth -nineteenth century are authentic. 126 years of our building and the same age of this. beautiful ceiling, for the entire existence of the estate this ceiling did not whitewash, did not paint and did not touch at all. the reason is quite simple, the fact is that the ceiling is pasted with gold leaf plates. what types of wood were used to create the ceiling? i will surprise you, it is not a bar, but gypsum. the quality of the work amazes even experienced modern builders. the palace housed a rich gallery of paintings, works by semiradsky, ivazovsky kandrate. the butuar was illuminated by wall chandeliers, a number of salon

official representative of the russian club of orthodox patrons of the arts. which were kindly provided to us by the st. petersburg academy of art, they are from the plein air exhibition project russian atlantis, the essence of the project is that the project organizers select artists from all over the world who submit their applications, only professional artists participate in the project, they go with the organizers, like... it happened completely by accident, this is exactly the exposition that was presented now, it is now traveling around the vitebsk region, from district to district, and braslav is, if i'm not mistaken, our eleventh district center in the vitebsk region region, which visited this particular exhibition, the district leadership turns to us, as a rule, we meet them halfway, bring them an art exhibition, absolutely... we place it free of charge, for about a month all residents of this district can visit it, our participation in this event does not end with only providing an art exhibition, also for the opening of the exhibition, as a rule, we bring famous artists, teachers from minsk, from glebovka, fro

st. petersburg academy of arts of the free economic society. humanity stricken with disease, he wrote. it occupies all my thoughts. i seek this disease, i find it in the place most accessible to me, in myself. i recognize in it a part of our common human nature, which we must understand, otherwise it will be impossible to keep under control. that is why i write with all the passion i can muster. on this day, september 19, 1911 , william golding was born. one of... the greatest british writers of the 20th century, nobel prize laureate in literature, his novel brought him worldwide fame lord of the flies, adapted for the screen in 1963 by peter brooke. as the writer's biographer noted, golding's greatness as a novelist lies in his ability to enter a kind of martian coordinate system, to show familiar things from a completely unfamiliar point of view. 110 years ago, on september 19, 1914. as a result of a german bombing, the famous rhine cathedral caught fire. at first, the fire engulfed the wooden parts of the northern tower, then the entire buil

st. petersburg academy of arts, vasily sazonov, iosif aleshkevich, jan khrutsky and leon baksst became academiciansrent eras follow one another. in one hall , the refined antiquity of a noble estate breathes, in another, there are echoes of the great patriotic war, the heroic defenders of the bretsky fortress. nearby , minsk and leningrad, renovated and revived after the bombings. they appeared in minsk, poloska, grodno and gomel. another city became a cultural center not only of belarusian, but also of world significance. a school of a new revolutionary model was founded in vitebsk, where world-class artists and avant-garde artists lived and worked . kazimir malevich, el lissitzky and marc chagall. the exhibition also includes his canvases, with their recognizable bright colors and contrasting colors that carry an important meaning. almost all of the paintings presented at the exhibition are participants in permanent exhibitions in belarus. they are rarely sent abroad, and are being exhibited in russia for the first time. an unknown portrait by ivan khrutsky, and a magnificent textbook work winter

boris grigoriev mastered the intricacies of graphics, learned to masterfully master the line, in 1907 boris grigoriev moved to st. petersburg, entered the academy of artstime ... he worked very often on russian folk tales, illustrations for folk calendars, songs. we can look at his series of illustrations for russian folk sayings, here boris grigoriev shows some comical absurd actions of village characters who lived in of this or that area, he lived in the province, so these are those. was close to him and he essentially depicted it here, for example, in ustyug two women were fighting: nastyukha with nastyukha, or for example, little women are standing in the forest, their figures are likened to trunks ... that is , as if little white eyes are looking at us from this forest, wrinkled lita, with twitching noses, they look like mushrooms that are located at the foot. already in his early work, boris grigoriev becomes popular, his works are bought, but the artist was depressed that he could not find your own, here a very important event occurs, this is 1913, and this is a trip to paris. which gives a new turn in the development of the artist's creativity,

st. petersburg arts academy in russia. there he was taught the style of soviet social realism returning. so i decided that i had this a captured key events and he threw up in history that work over there looks very different from everything we see here what you're telling me about it. okay, the story behind this painting is that it is the time that you turn those invaded to your trip in the 2nd italian occupation. every ciocca took place from 1935 to 1941, the sparked international outrage. and that you'll get becoming a symbol of anti colonialism and resistance against european imperialism. and then what they wanted to show in this painting is that the people and the landscape finally get beyond is the whole phosphate is more mountainous. you know, it's very difficult to embed it. so i wanted to show that the people and the pending has kept their independence together. why do i want to show this? as you seem to the center, it is black. again, this is a white background. i wanted to show seemed bought off off because simple black freedom, you know, and th

st. petersburg after the painting by karl bryullov is returning to restoration. the last day of pompeii. tomorrow the revived canvas will be assessed by specially invited experts from armitage, the tretyakov gallery, the academy of artsr selima zarif, saw the masterpiece today. in the eighty-sixth hall of the benois wing, it is finally completed. the process, which lasted more than 9 months, only here, in the exhibition space, and not in the cramped restoration workshops, could this epic canvas by bryullov fit, here it is, the updated last day of pompeii. painting, as if really came to life, details that were previously unnoticeable became distinguishable, cinnabar glows like a real fire, the plot space acquired depth, figures of people and animals became slightly visible in the distance, i play in the foreground... this young man is his self-portrait. bryulov is a unique artist, he is a genius in fact, here is his kitchen, letters, especially on large canvases, it is very different, here, of course, there are a lot of correspondences, which we paid attention to. infrared photography revealed that at first bryulov was a little different positioned the characters, then changed the poses to more dramatic ones. the pain